EXCLUSIVE: Hansal Mehta opens up on overwhelming response to Gandhi at TIFF: “Canada is not cheap; yet, my ADs spent their money to attend the premiere…patrons there are often held back but for our show, they stood up and clapped…I was in tears”

Hansal Mehta, Pratik Gandhi and Sameer Nair’s Applause Entertainment had a successful partnership with the cult show Scam 1992. They have now joined hands once again for the ambitious web show, Gandhi. It stars Pratik as Mohandas Karamchand Gandhi aka Mahatma Gandhi and hence, the excitement is tremendous. The hype for the show increased after it had its world premiere in the 'Primetime Programme' of the 2025 Toronto International Film Festival (TIFF) last month. Reports state that Gandhi received a standing ovation and became a major talking point at the festival. Bollywood Hungama exclusively spoke with Hansal Mehta at the Waterfront Indie Film Festival (WIFF) on this honour.

Hansal Mehta began by saying, “It’s still very overwhelming. I was in tears when I was standing there. Very spontaneously, the crowd got up and started clapping! I had been to TIFF previously and it is not like the European festivals. It’s not a place where people show their appreciation by standing up and clapping. The patrons in TIFF are a bit held back. Also, it was not a gala screening. Hence, to see that reaction in a public screening was very moving.”

What also touched Hansal Mehta is how his team went all out to land in the Canadian city for the premiere, “Everyone made it to TIFF like A R Rahman, Tim Felton, etc. My team of assistant directors spent their own money just to be there for that moment! Moreover, Canada is neither nearby nor cheap. Securing a visa is not that easy either. Yet, they were there (smiles).”

He continued, “My cinematographer and writer also attended at their own costs. Nearly 20 of us were present. In a way, it was the celebration of the efforts that we put in last year. Gandhi has been a mammoth effort. We have worked on it for nearly 3 ½ years.”

When asked about the release plans, he said, “We are also completing the show right now; the post-production is going on right now, as we speak. So, a few months of work.” Hansal Mehta also stated that the first 2 episodes of Gandhi were shown at TIFF.

Over the years, Mahatma Gandhi has often been portrayed in a negative light by certain films. There has also been growing negativity online about the Father of the Nation. Will Hansal Mehta’s show help correct this perception?

The talented filmmaker replied, “I am not here to correct anybody’s perceptions. People are free to have their own perception. But there is a documentation of his life and persona in Ramchandra Guha’s books (‘Gandhi Before India’ and ‘Gandhi: The Years That Changed The World’). I have tried to objectively present Gandhi as a human being. We have humanized Gandhi with his flaws, weaknesses and his immense strength of character. So, I think we need to relate to him beyond his identity as Mahatma. We need to see him as a human being and to learn how his life can become our message.”

Also Read: Scam 1992 director Hansal Mehta cracks up crowd at WIFF: “OTT creators are delivery men, just like Salman Khan’s directors on Eid!”; recalls BBC rejecting him for Criminal Justice: “I had just made Simran then. I don’t blame them”

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Lakshya on life after The Ba***ds of Bollywood, “There are numerous offers available at this point in time and I am grateful”

Aryan Khan’s directorial debut in the form of the Netflix web series The Ba***ds of Bollywood has become the talk of the town. The show has also given popularity to its main lead Lakshya. The actor spoke about the life post this show in an interview with us.

How are you coping with the surge in popularity after The Ba***ds of Bollywood?

A surge in popularity is evidence that your work and efforts are being positively recognized and accepted by the viewers who now want to follow you for even better outcomes in the future. This is simply based on the theory of “Cause & Effect.” You did well in the past, so you are reaping the fruits in the present. I am highly thankful and simply grateful to all the viewers of BOB who have not only appreciated but also accepted me as an actor.

How closely did you identify with your character’s struggle?

I belong to a middle-class family of Delhi, having no contacts in the film/acting industry of Mumbai. So called outsider reached Mumbai with dreams, a clear goal and objective of establishing myself as an actor, with conviction, determination, and a strong ZIDD (stubbornness). So is the character of Aasman in BOB. Yet there are slight differences in the situations and obstacles posed to me as an individual and as a character, Aasman, in the series. Nevertheless, this character revolves very well in intensity as well as magnitude holistically around my personal life and struggles I faced so far.

I hear you are flooded with offers. What are your criteria for selecting offers?

I won’t say there is a flood of offers, but yes, there are numerous offers available at this point in time, and I am grateful. Yet, selecting an offer is the most crucial decision at this point in time because it sincerely calls for “Absolute Rationality and a greater Responsibility.” I have a few very stringent major selection criteria to select an offer.

What are they?

The first is relevance - Does it align with my needs and interests? The second is compatibility - Whether I would be able to deliver the expected outcomes? Do my core strengths enable me to justify the offer and benefit mutually? Third is social acceptability - Because one has to abide by the principles laid down by our society, in which we are an integral part of the universe. Fourth is value addition - Does this offer add to any value - tangible or intangible, and augment my individual life, personality, profession, and career growth? And above all, whether it adds to my career longevity?

How has your family reacted to your stardom?

They are joyous, celebrating the achievement, and feel uplifted too. Yet my mother, who practices Buddhism, always pays her gratitude to the universe for the most awaited event that has happened in life. They always emphasize that success is an ongoing journey, not a final outcome. They push me to set clear goals, put consistent efforts to achieve these goals, work for inner peace with a purpose that your conscience allows, and eventually make a positive and fecund impact on others to spread joy and happiness, always.

Also Read: Chand Mera Dil set PHOTOS LEAKED: Lakshya rides into romance with Ananya Panday in traditional attire

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Karan Johar’s savage take on ‘corporate booking’: “If I gift myself Rs. 1 crore and throw a party to celebrate it, am I a fool or am I an intelligent man?”

Komal Nahta had a wonderful conversation with Karan Johar about the production aspects, star fees, entourage and a lot more. They also spoke about the much-controversial ‘corporate booking’. Karan raised laughs with his answer.

Karan Johar began by saying, “Everybody does what they have to do. If it’s giving you happiness, then why not? Today, if I decide that I’ll gift myself Rs. 1 crore, then I celebrate that I made a crore, though I have only cut that cheque and given it to myself, then I have a party in the night since I gave myself one crore, so am I a fool or am I an intelligent man? I leave that for you to decide. That’s the only answer I have to this.”

He continued, “If you’re doing it for yourself and you’re happy, then please do it. Why should anyone judge you for doing it? You are spending your own money na? You are putting it out on social media.”

When pointed out that this practice damages the reputation of the industry, Karan Johar replied, “Industry khud ko badnaam kar rahi hai. All those who write about corporate booking are from the industry. The audience doesn’t know about it. They don’t care about corporate or desperate booking. It’s only the industry that talks about it or the media reporters.”

He also remarked, “Also, I wonder where the word ‘corporate booking’ came from. Which corporate has booked it? It’s called individual booking or self-booking. The idea is that I have booked, I have enjoyed, I have celebrated and I am excited.”

KJo continued, “Now the agencies are filling seats also. You pay them, they buy tickets and are watching it with the money that you have paid. Sometimes, it has also helped some films in getting kickstart energy. Eventually, what we call corporate booking will become a marketing tool in future. But if the film has to work, it will work.”

Karan Johar pointed out the futility of the exercise, “Aap kitna kar loge? You can’t issue cheques every day. I’ll do it for the weekend or max until the second Friday. At some point, I’ll have to stop.”

Also Read: Karan Johar CONFESSES, “Shah Rukh Khan is the ONLY actor who has NEVER talked money with me; when I ask about his fees, he says, ‘Whatever you want to pay’”; also reveals, “SRK and I are retail MANIACS; he behaves like an excited two-year-old when he gets a gift”

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Siddharth Anand on 6 years of War, “It has been the most important point in my career”

Filmmaker Siddharth Anand’s War, which was produced by Yash Raj Films, recently completed six years. Starring Hrithik Roshan and Tiger Shroff, the movie was an action thriller that became a blockbuster at the box office. Siddharth looked back at the film in an interview with us.

Would you say War was a turning point in your career?

I would say I'm very, very happy with War and when I look back at it, I feel proud. War has been probably the most important point in my career. I'm not talking about the success of War. I'm talking about the making of War. I'm talking about the creation of War (that) has been the turning point. All my films that I made till that date, I think have been, have lent to me making War the film it is.

Please explain?

Right from the conception of the idea of it and then how to screen-write it and then how to shoot it and also how to shoot and use each character in the film. I think all my films have led me to it. All my films have had some sort of a learning for me that led to making War what it is.

War was a turning point for the action genre

From the point of time making it into a relentless action film, I wrote War as a song-less film. There were no songs in War and the songs came in much later. After the script was ready, (producer) Aditya Chopra and me, we fit ‘Ghungroo’ as a situation in it at the point that it came in. In fact, it’s been a turning point as a filmmaker for me. All these things that I'm saying are not about the success of War. I'm talking about the making of War. What transpired into writing War for me was the turning point. The fact that the kind of films I wanted to make going post-2016-2017 when I started writing War, has been the turning point for me.

War was a huge success

Of course, the success of War has really validated that and I've never looked back and I've kept that learning in mind in making all my films post that and even now I keep that learning in mind. War for me has been an institution of learning that if you apply this, then it's good as a filmmaker that it allowed me to get the success with all the learnings from my past experience.

I think War became one of the most definitive action films of our times

Even if you go back and look at it now, it's got its unique language for a Hindi film. It was relentless, it was brave, it had amazing twists, it was fast-paced, it had great songs. So it had a great amalgamation and a new language for Hindi film, I believe. And I think it was an experience that our audiences probably had for the first time in an action film. That's what made War so iconic and definitive and it was something that it was refreshing, I would say, for an action film for that time. I think it had some things that just blend in well. I wouldn't say that it's perfect as a film. But I think it was a good blend and I don't think I would mess with it to change anything today.

If you had to remake War again, what would you change?

No, I don't think so. I would keep it as is. I'm very happy.

Also Read: Siddharth Anand on 20 years of Salaam Namaste, “I truly feel this is a film that has aged well”

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Alia Bhatt channels her inner Bengali beauty in a mesmerizing golden-silver saree by Abu Jani Sandeep Khosla

Alia Bhatt made a stunning appearance at the Mukerji family’s grand Durga Puja celebrations this year, hosted annually by Rani Mukerji and Kajol in Mumbai. While the star-studded pandal saw many familiar faces from the film fraternity, it was Alia’s ethereal traditional look that became the highlight of the day.

The actress embraced a quintessential Bengali avatar, reminding fans of her Rocky Aur Rani Kii Prem Kahaani character, Rani Chatterjee. Draped in a custom Abu Jani Sandeep Khosla masterpiece, Alia radiated festive grace in a sheer golden and silver Dhakai Jamdani saree that reflected timeless craftsmanship and elegance.

 

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According to the designers, the saree was handwoven over three months and glimmered with intricate golden motifs and a dual-tone border featuring gold and silver embroidery. The ensemble was paired with an ornate Chikankari blouse enriched with exquisite Zardozi detailing, perfectly complementing the grandeur of the outfit. Styled by Rhea Kapoor, with makeup by Puneet B Saini and hair by Amit Thakur, Alia’s look was a vision of understated sophistication rooted in tradition.

 

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On the professional front, Alia is gearing up for an exciting lineup of films. She will soon reunite on screen with her husband Ranbir Kapoor in Sanjay Leela Bhansali’s much-awaited Love & War, also starring Vicky Kaushal. The film is slated for release in March 2026. Additionally, Alia will headline the action thriller Alpha, sharing screen space with Sharvari and Anil Kapoor, while Hrithik Roshan is expected to make an extended cameo.

From celebrating Durga Puja in classic elegance to balancing powerful roles on the big screen, Alia Bhatt continues to prove that she’s as much a fashion icon as she is a versatile performer.

Also Read: Alia Bhatt calls her bond with Ranbir Kapoor a “very natural dynamic”: “It was never a rose-tinted-glasses sort of relationship”

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Abhishek and Aishwarya Rai Bachchan file Rs 4 crores lawsuit against Google, YouTube over deepfakes: Report

Abhishek Bachchan and Aishwarya Rai Bachchan have taken legal action against Google and YouTube, filing a Rs 4 crores lawsuit over the alleged misuse of their images and videos through AI-generated deepfakes. The Bollywood couple, who had earlier asserted their personality rights, have accused the platforms of allowing manipulated content to spread unchecked.

According to a Reuters report, the Bachchans have raised concerns over YouTube’s content moderation and third-party training policies, claiming they create space for abuse. The court filings reportedly stated, “Such content being used to train AI models has the potential to multiply the instances of use of any infringing content — first being uploaded on YouTube and viewed by the public, and then also being used to train.”

The legal complaint highlights “egregious” and “sexually explicit” deepfake videos that have been circulated online. One such channel, AI Bollywood Ishq, is said to host more than 250 manipulated clips featuring celebrities, with several videos crossing millions of views. Among them are doctored clips allegedly showing Aishwarya Rai Bachchan with Salman Khan in a pool, and Abhishek Bachchan in fabricated sequences where he suddenly kisses an actress or reacts angrily to altered scenes.

Last month, the Delhi High Court directed Google’s counsel to submit a detailed written response. The next hearing in the matter is scheduled for January 15.

On the professional front, Abhishek Bachchan is gearing up for two major projects — King, an ensemble drama also featuring Shah Rukh Khan, Deepika Padukone, Suhana Khan, Rani Mukerji and Abhay Verma, and Raja Shivaji, a biopic on Chhatrapati Shivaji Maharaj starring Riteish Deshmukh in the titular role. Aishwarya Rai Bachchan, meanwhile, has not officially confirmed any upcoming films.

Also Read: After Aishwarya Rai Bachchan, Abhishek Bachchan files petition over misuse of his personality rights

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With Kalki 2 casting uncertain, Nag Ashwin reopens talks with Sai Pallavi for his woman-led film: Report

Almost a year ago, reports suggested that Alia Bhatt was in advanced talks with Nag Ashwin for his yet-untitled, woman-centric action drama. However, eleven months is a long time in the film industry, and the project appears to be heading in a different direction. With Kalki 2 currently facing casting changes after Deepika Padukone’s dramatic exit, the filmmaker is said to be considering prioritising his female-led film before resuming the mythological sequel.

Fresh chatter from industry circles indicates that Sai Pallavi, often regarded as Ashwin’s original choice for the role, has re-entered discussions. A report by Mid-Day quoted a source saying, “Nag didn’t let go of the idea of the woman-led film. It was simmering on the backburner through most of 2025. With the recent developments in Kalki 2, bringing the other project forward is a possibility.”

The timing, however, remains tricky. Alia Bhatt has reportedly allocated bulk dates to Maddock Films’ Chamunda starting March 2026, narrowing the window for her to take on additional projects. Pallavi, on the other hand, is committed to Nitesh Tiwari’s two-part Ramayana. She is expected to complete work on the second instalment only by mid-2026, after which her schedule may open up. “If the dates align, she could step into Nag’s film before he moves to Kalki 2,” the source adds.

Both Ashwin and Pallavi have had a notable run in recent years. Ashwin’s Kalki 2898 AD, headlined by Prabhas, Amitabh Bachchan and Deepika Padukone, became one of the biggest spectacles of Indian cinema. Meanwhile, Pallavi has steadily built a pan-India fan base with acclaimed performances in Gargi, Shyam Singha Roy, and her ongoing role in the Ramayana franchise.

Also Read: “Never afraid to ruffle feathers”: Deepika Padukone talks about “walking a difficult path” as IMDb lists her in top spot amid Spirit, Kalki 2898 AD exit

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Pratik Gandhi talks about portraying Mahatma Gandhi in stage plays, web series, and beyond

On the occasion of Gandhi Jayanti, actor Pratik Gandhi opened up about his long-standing association with portraying Mahatma Gandhi—a role he believes was destined for him. Known for bringing the Father of the Nation to life across various mediums, Pratik has portrayed Gandhi on stage for several years and will soon appear as him in the upcoming web series Gandhi.

Adding a poetic twist to the connection, the actor also took the stage once again on Gandhi Jayanti itself, performing a live play where he stepped into the iconic role yet again. “Me playing Gandhi was written the day I was born into a Gandhi family. When I was given the Gandhi surname, I was destined to do it,” Pratik remarked. He shared that portraying Mahatma Gandhi’s journey has been an incredible privilege and a deeply personal experience. “Gandhi is more relevant today than ever before. We need thousands of Gandhis in this world right now, considering everything we see around us,” he said, reflecting on the state of the world. He also pointed out the rare coincidence of Gandhi Jayanti and Dussehra falling on the same day this year. “There are so many Raavans we need to burn within ourselves—and the Gandhian approach is perhaps the most powerful way to do that.”

When asked about the qualities he has absorbed from Mahatma Gandhi's life, Pratik pointed to simplicity and self-belief. “Achieving simplicity in today’s complex and hyper-digital world is a real virtue,” he said. “Gandhi ji believed that true strength doesn’t come from physical power, but from an indomitable will. After playing the character for so long, I’ve begun to truly understand what that means.”

Looking back at his journey with the role, Pratik admitted he never imagined it would become such a defining part of his career. “When I first played Mohan on stage, I never thought I’d get to bring the same character to the screen, especially in a longer format. It’s beyond what I ever dreamed. The experience has been important, emotional, and incredibly enriching.”

With his upcoming Gandhi web series and continued performances on stage, Pratik Gandhi continues to keep the legacy of Mahatma Gandhi alive for new generations—making the role not just a performance, but a calling.

Also Read: Pratik Gandhi on his show Gandhi receiving a standing ovation at TIFF, “It’s a lifetime experience for me. My heart is full of gratitude and satisfaction”

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Experience Pandora like never before: Fire and Ash preview plays with Avatar: The way of water

As the movie Avatar: The Way of Water returns to theatres for a limited one-week run starting October 2, fans are in for a unique cinematic experience. Audiences will get an exclusive first look at James Cameron’s upcoming film, Avatar: Fire and Ash, shown only in theatres before the feature presentation.

In addition to the preview, movie goers will see a personal message from Oscar-winning director James Cameron. In it, he offers insights into the next chapter of the Avatar saga and a glimpse behind the scenes of what’s to come.

The exclusive footage introduces a new setting and characters, beginning with the Sully family and Spider riding the medusoids — large, jellyfish-like creatures connected to the Windtraders. They are joined by Peylak, portrayed by David Thewlis, who appears for the first time in the franchise as the leader of the Tlalim Clan. This scene confirms Jake Sully’s new alliance with the Windtraders, though the full details and implications of this partnership remain under wraps.

The sneak peek dives deeper into the world of Pandora, offering a taste of the visual spectacle, emotional depth, and high-stakes storytelling that fans can expect from Avatar: Fire and Ash. With stunning imagery and powerful new characters, the preview sets the tone for what may be the most ambitious entry in the franchise yet.

This marks the first time any footage from Avatar: Fire and Ash have been shown publicly, making it a special event for long-time fans and newcomers alike. Don’t miss this opportunity to revisit Avatar: The Way of Water on the big screen and be among the first to witness the next chapter of Pandora’s story.

Also Read: BREAKING: Moviegoers to experience Avatar: Fire And Ash’s trailer for the FIRST time in cinemas in India with Avatar: The Way Of Water’s re-release on October 2

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Aryan Khan's The Ba***ds of Bollywood gets BTS boost as Farah Khan shares making of Ghafoor

Farah Khan recently gave fans a behind-the-scenes look at the making of the song Ghafoor, featured in Netflix’s trending series The Ba***ds of Bollywood. Directed by Aryan Khan, the shoot was completed in just one day, but Farah shared that the experience remained upbeat, energetic, and full of collaborative spirit.

She expressed her appreciation for the positive response the project received online, noting the excitement surrounding both the song and the series, which continues to trend on Netflix.

Farah also took a moment to thank everyone involved in the production. She gave special mentions to Shah Rukh Khan, music composer Shashwat Sachdev, Tamannaah Bhatia, and veteran actors Ranjeet, Shakti Kapoor, and Gulshan Grover. Additionally, she acknowledged the behind-the-scenes crew for their dedication in helping bring Aryan Khan’s creative vision to life.

The Ghafoor song has quickly become a standout moment from The Ba***ds of Bollywood, thanks to its vibrant visuals and dynamic performances. Farah’s post offered fans a rare look at the effort and enthusiasm that went into making it happen.

Also Read: A true Netflix Effect: 8 ways The Ba***ds of Bollywood has taken over the internet

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Trade experts predicts that Kantara: A Legend – Chapter 1 will open at around Rs. 12-14 crores: “Day 1 record of Chhaava will remain intact”; Sunny Sanskari Ki Tulsi Kumari expected to open at Rs. 7-8 crores

Kantara: A Legend – Chapter 1 and Sunny Sanskari Ki Tulsi Kumari are all set to release tomorrow. Trade experts predicted the first-day figures and the lifetime.

Vishek Chauhan, owner of Roopbani Cinema in Purnia, Bihar, said, “People were expecting too much from Kantara. Some said that it will open at Rs. 35-40 crores. But it seems like it’ll open at Rs. 12-14 crores. It is a good jump from the day 1 figures of part 1. I personally feel that the team of Kantara has missed out on a golden opportunity of making this film into an event film for the North Indian audience.”

He added, “If Sunny Sanskari Ki Tulsi Kumari opens at Rs. 7-8 crore, it'll be great. I hope I am proven wrong and both have double-digit openings.”

Chhaava is the highest opener this year, with first-day collections amounting to Rs. 33.10 crores. With this prediction, it seems like the record of Chhaava will remain unbeaten. Vishek Chauhan agreed, “Yes. Chhaava will retain the number one spot. I'd like some film to go ahead and break the record. But as of now, it doesn't seem that it will change with Kantara.”

Trade veteran Taran Adarsh also agreed that Kantara: A Legend – Chapter 1 won’t be able to break Chhaava’s record, “I doubt unless there's a miraculous jump on the first day through current booking. As of now, the record of Chhaava remains intact.”

He explained, “Kantara’s earlier part came in a very small way. It was released in Hindi two weeks after the release of the original Kannada version. It was purely word of mouth that carried the film to Rs. 75-80 crores. Now it's coming with a baggage of high expectations.”

Trade analyst Atul Mohan predicted, “Sunny Sanskari Ki Tulsi Kumari will open at Rs. 7-8 crores while Kantara: A Legend – Chapter 1 should have an opening of Rs. 10-12 crores. If the content is strong, it'll pick up by word of mouth.”

Distributor and exhibitor Raj Bansal, meanwhile, predicted, “Kantara: A Legend – Chapter 1 will open at Rs. 28-30 crores. Sunny Sanskari Ki Tulsi Kumari will open at around Rs. 7-7.50 crores which is very decent for this film. It looks like a film for the metros. Double-digit is difficult for it as it clashes with Kantara. There are showcasing issues. Otherwise, on a national holiday, it could have opened at Rs. 10 crores plus.”

There have been complaints of very high prices of the tickets of both films. Raj Bansal remarked, “The rates should be kept moderate. If reports are bad, inflated ticket prices can dent the prospects of a film.”

Taran Adarsh agreed, “I genuinely feel that the rates should be kept in check. But everyone wants to capitalise on the status of the film and the holiday season. In the past, people have come to cinemas and bought tickets even at inflated rates. But I feel that if rates are affordable in the beginning, it'll attract more people.”

Conclusion

There were a lot of hopes from the first day collections of Kantara: A Legend – Chapter 1 and hence, the predictions came as a shock. Some are not surprised.

A prominent producer said on condition of anonymity, “A certain agency predicted Rs. 40 crore plus opening for Kantara: A Legend – Chapter 1. I was told that what Pushpa 2 was to 2024, Kantara will be in 2025. But while Pushpa 2 sold 55,000 tickets in national chains in less than 10 hours, Kantara has sold around 27,000 tickets. The expectations were heightened by this certain agency and today, people are disappointed though the advance is fine for a film like this. Moreover, many wrote off Sunny Sanskari Ki Tulsi Kumari but it’s not far behind, having sold 20,000 tickets. Going forward, I hope we remain realistic so that such scenarios don’t get repeated again.”

All eyes are now on the initial reactions from the first shows of both Kantara: A Legend – Chapter 1 as well as Sunny Sanskari Ki Tulsi Kumari. The scenario can still change as both arrive on a national holiday. Taran Adarsh reiterated, “Spot booking will play a key role in bigger centres as well as smaller centres.”

He’s also hopeful that the three-week open window will go in their favour. He said, “The period between Dussehra and Diwali is when people are busy with cleaning the house, shopping, vacation etc. Hence, the period is considered low in terms of box office. But if word of mouth is in their favour, both films will have a dream run.”

Atul Mohan, in agreement, added, “If the films are good, they will have an advantage. If reports are bad, the films will start to struggle from the first day itself. Once the public rejects, the film stands no chance. Any producer would want they get an open week. The makers of both films have got that, and it remains to be seen whether they are able to capitalize on it.”

Also Read: Trade agrees that Kantara: A Legend – Chapter 1 and Sunny Sanskari Ki Tulsi Kumari’s advance is not extraordinary: “Kantara makers should have informed the audience about the setting; Sunny Sanskari should have been darker and edgier with sad songs to entice people”

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