Aditya Dhar hopes to return to the National Film Awards with Dhurandhar next year: “Today, it is all about Article 370”

Filmmaker Aditya Dhar attended the 72nd National Film Awards with wife and actor Yami Gautam, as their 2024 film Article 370 emerged as one of the major winners at the ceremony. The film won Best Feature Film, while Yami was honoured with Best Actress for her performance. Article 370 also won Best Music Direction for Shashwat Sachdev.

However, when Aditya Dhar was asked about his much-anticipated film Dhurandhar during a red carpet interaction, the filmmaker kept the focus firmly on the film being celebrated that evening. Aditya Dhar says, “Today, it is all about Article 370” During the interaction, Aditya Dhar was asked about making what was described as one of the biggest films in the Indian film industry. While the question referred to Dhurandhar, Dhar pointed out that the occasion was about Article 370 and its National Award recognition. “We are here for Article 370, we will discuss Dhurandhar hopefully if we come next year also. But, today, it is all about Article 370,” he said.

The comment comes as Dhurandhar continues to remain a major talking point around Dhar’s upcoming work. Since the current National Film Awards recognise films from the 2024 eligibility cycle, Dhurandhar is not part of this year’s awards. The film could be considered for a future edition, subject to the applicable eligibility rules.

Watch | We will discuss Dhurandhar if we come next year also, but today it's about Article 370: Dhurandhar Maker Aditya Dhar at Ektanagar in Gujarat for National Film Awards with his Actress Wife Yami Gautam pic.twitter.com/AxsgUcaMBV — DeshGujarat (@DeshGujarat) September 22, 2026

Yami Gautam Dhar calls National Award the “biggest validation” For Yami Gautam, the evening marked a major milestone as she received her first National Film Award for her performance in Article 370. Speaking about the honour, the actor said, “It feels great. We were just discussing, this is the biggest validation for any artist. I think it is the highest honour presented to you by your country. I don't think I will be able to express right now. I am smiling, but from inside I am feeling like an energy of a newcomer for whom everything is so big, everything is so new and special,” Yami said.

The actor's win came alongside Article 370 being named Best Feature Film and Shashwat Sachdev receiving the award for Best Music Direction. Article 370’s National Film Awards recognition Directed by Aditya Suhas Jambhale, Article 370 was among the films recognised at the 72nd National Film Awards. The ceremony was held on September 22, 2026, in Ekta Nagar, Kevadia, Gujarat. It marked the first time the National Film Awards ceremony was held outside Delhi.

Also Read: Aditya Dhar teases wife Yami Gautam over Nayyi Navelli poster; says, “So this is what i married into”

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The Paradise Mumbai press meet: Nani BREAKS silence on receiving ‘A’ rating: “Our film doesn’t have violence for the sake of violence…you can watch this film with your families, parents”

Nani, Sonali Kulkarni, Raghav Juyal and Kayadu Lohar attended the press meet of The Paradise in Mumbai. On September 21, it came to light that the action entertainer was passed by an ‘A’ certificate by the Central Board of Film Certification (CBFC). Nani was asked about it and he explained the rationale behind the rating.

Nani said, “Of course, when your film has received an ‘A’ certificate, you’ll miss out on kids and a chunk of moviegoers. But I also understand where it's all coming from. There’s a lot of violence in The Paradise.”

He continued, “There are some films, which are fully focused on violence and have violence for the sake of violence. The Paradise is not like that. Our film is a solid drama. It’s an emotional, commercial film and everybody will relate to it very well, regardless of the age group. Even families can come and watch it. You can go with your parents and watch it. You’ll enjoy it completely. But children can’t view the film because there’s a lot of violence.”

Nani further stated, “Everything that happens in the film is what we see around and what we can relate to. There’s drama, emotions and a love story; that is, everything which films, in general, have. But the violence portions are a little higher than other films.”

Did the makers try to secure a U/A rating? Nani replied, “No. We were prepared while shooting itself that we would receive an adult rating.”

The Paradise releases in cinemas on September 24.

The censor cuts

The makers were asked to replace alternate visuals of crow on National Flag. The visuals of a pregnant woman in the beginning were asked to be modified. A foul word was allowed in one place and muted in the rest of the scenes. A scene of a character having a tattoo with a foul word was covered with CGI. The word 'denotified tribe' was asked to be deleted.

The duration of violent stabbing visuals was reduced. In fact, ten other violent scenes replete with torture and blood spills were removed. In three places, words on armed struggle against the country were modified or muted. A reference to a real-life assassination and historical event was muted. Similarly, a reference to a real-life cigarette brand was asked to be censored.

Also Read: High DRAMA before The Paradise Mumbai press meet; Raghav Juyal’s driver ‘STEALS’ fellow resident’s car by mistake; confusion causes delay

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Indian Festival of Perth to debut in November 2026, showcase 30+ films across Indian and South Asian languages; details inside!

Indian cinema is set to make its mark in Western Australia with the announcement of the inaugural Indian Festival of Perth, taking place across multiple locations in Perth from November 12 to November 15, 2026. The four-day festival is the latest expansion of the team behind the Indian Film Festival of Melbourne (IFFM) and the Indian Film Festival of Sydney (IFFS), two established celebrations of Indian cinema in Australia. The Perth edition marks the team’s expansion into a third major Australian city, bringing the diversity of Indian and South Asian cinema to audiences in Western Australia for the very first time.

The special announcement was made during Western Australian Premier Roger Cook’s visit to India, where he announced the inaugural festival during his keynote address, highlighting the growing cultural and creative ties between India and Western Australia.

The inaugural edition will showcase more than 30 films across Indian and South Asian languages, offering audiences an opportunity to discover stories and filmmakers from across the subcontinent.

Announcing the festival, Western Australian Premier Roger Cook said, “I am pleased to announce the inaugural Indian Festival of Perth, which will take place across multiple locations in Perth from November 12th to November 15th this year. The festival will showcase more than 30 films across Indian and South Asian languages. And the inaugural festival will welcome a select group of celebrated Indian Filmmakers who will get to witness Western Australian hospitality and visit Perth Film Studio".

Mitu Bhowmick Lange, who is behind both the Indian Film Festival of Melbourne and Indian Film Festival of Sydney, said, “We are incredibly excited to bring Indian cinema to Perth for the very first time. The launch of the Indian Festival of Perth is a natural extension of what we have been building across Melbourne and Sydney, and it is wonderful to now create a platform for audiences in Western Australia to experience the incredible diversity of Indian and South Asian cinema. Beyond the films, we hope the festival will create meaningful connections between filmmakers, audiences and the wider creative community, and open up new conversations and collaborations between India and Western Australia.”

The launch further strengthens the cultural bridge between India and Australia, with the festival creating a new platform for Indian storytelling in Western Australia and expanding the footprint of Indian cinema across the country.

Also Read: EXCLUSIVE: Sai Tamhankar on Bol Bol Rani releasing in Melbourne and Perth on August 16, “It’s a wonderful feeling to see the film travel beyond borders”

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“Raazi characters aren’t any less patriotic than Dhurandhar’s,” says Meghna Gulzar; explains the difference

Filmmaker Meghna Gulzar has opened up about how films portray patriotism differently, comparing her 2018 directorial Raazi with the more action-driven Dhurandhar. According to Meghna, the difference lies in the stories being told rather than the level of patriotism displayed by their characters.

The filmmaker discussed the subject during her appearance on the podcast Learn By KK Create. Asked about Dhurandhar and whether her approach to patriotism differs from that seen in other films, Meghna said that the characters in Raazi are not less patriotic simply because their patriotism is expressed differently on screen.

“The difference is in the story. I don't think Raazi's characters aren't any less patriotic than Dhurandhar's characters. It is their actions because of the way the story is. That is how they are depicted. One does not have to be right, and the other has to be wrong. Patriotism and prayers don't need volume. And they aren't expressed in one particular way. Every individual has their own way of expression,” she said. Meghna Gulzar on patriotism and moral choices in Raazi Released in 2018, Raazi starred Alia Bhatt as Sehmat, a young Indian woman who is recruited as an undercover operative and sent to Pakistan during the 1971 Indo-Pak war. The film explores her mission through personal relationships, sacrifice and the moral consequences of her actions.

For Meghna, the character's patriotism does not necessarily translate into an absence of moral conflict. When asked whether there was a limit to the kind of patriotism she would portray on screen, she said the character's own boundaries were what mattered. “There is no limit. If the character does not have a limit, how will I have a limit? And there was no limit of Raazi's character's patriotism. She had a limit when it came to her moral compass,” Meghna said.

On the professional front, Meghna Gulzar is currently gearing up for her latest directorial, Daayra, which stars Kareena Kapoor Khan and Malayalam actor Prithviraj Sukumaran.

Also Read: EXCLUSIVE: “Meghna Gulzar gave me a character that had real weight; sharing screen space with Kareena Kapoor was an experience,” says Upendra Chauhan on Daayra

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The Vvaan makers acquire sync rights after Sargam Vaish’s copyright claim over ‘Aigiri Nandini’

The makers of The Vvaan: Force Of The Forrest have acquired the sync rights to a recording of ‘Aigiri Nandini’ after musician Sargam Vaish alleged that his master recording was used in the film’s trailer without his permission.

Vaish had raised the issue on September 20, when he took to Instagram and claimed that a recording of ‘Aigiri Nandini’ created by him had been used in the trailer of the Sidharth Malhotra-starrer without obtaining his consent. The recording, according to Vaish, was originally created for a Ram Gopal Varma film, and he holds the master rights to it. Balaji Motion Pictures legal team meets musician Within 24 hours of Vaish publicly raising the issue, Balaji Motion Pictures’ legal team met with the musician. Vaish told Mid-Day that executives and lawyers from Ektaa R Kapoor’s production house met him on the evening of September 21 and subsequently acquired the sync rights for the recording.

Speaking about the meeting, Vaish said, “Balaji’s executives and lawyers have been cooperative. We met them today; they were kind and apologetic, even though they didn’t cause [the leak]. They are taking the sync rights for the track. I am grateful for the fact that we were able to resolve it so smoothly.” Sargam Vaish says he was not approached for permission Vaish recalled being surprised when he heard his version of Aigiri Nandini in the trailer of the Deepak Kumar Mishra-directed feature. “This is the version I had created for Ram Gopal Varma’s film. I own the master rights. No one had approached me for an NOC or permission,” he said. Source of recording leak remains unknown While the sync rights have now been acquired, Vaish said that he and the concerned parties are still trying to determine how his recording reached the Vvaan team in the first place. “The source of the leak is not known to us yet. We are trying to trace how this happened,” he added.

The Vvaan: Force Of The Forrest stars Sidharth Malhotra in the lead and is directed by Deepak Kumar Mishra. The film is backed by Balaji Motion Pictures and is scheduled to release on September 25.

Also Read: Sidharth Malhotra and Tamannaah Bhatia bring their dance moves to The Vvaan’s ‘Thummak Thummak’; song out now

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EXCLUSIVE: Raghubir Yadav says they were “55% sure” about Panchayat’s success: “We just felt this is a very rare kind of a show”

Veteran artiste Raghubir Yadav’s Om Ka Hari recently released in theatres. While speaking about the film in an exclusive chat with Bollywood Hungama, he also touched upon the success of his long-running web show Panchayat, which has already had four seasons with the fifth one in the making.

Yadav said that he could instantly relate with Panchayat when he was offered the first season since he has lived in such a scenario closely. “I have stayed in a village where there was no school,” he said. “My nanaji (maternal uncle) then made a school over there. I studied there. I have seen sarpanch and everyone over there; it was a beautiful atmosphere. Over there, I didn’t feel anyone was like a villain. People used to go about their lives in their own ways. They picked others’ mistakes but never wished anything bad happens to anyone.”

It was also the language of the script that impressed Yadav. “It was beautifully written. The language of Panchayat is so real that it doesn’t appear caricature. If they had made it caricature-ish, it wouldn’t have been such fun. Because of this, families are watching this show together. Kids are amazed to see this era,” he said.

The team of Panchayat, as Yadav said, didn’t think much about the response before the release of the first season. When asked how sure they were about the show’s success, Yadav said, “It was around 55%. Definitely more than 50%. We hadn’t thought about it becoming a hit. We just felt that this is a very rare kind of a show. We realized that if we didn’t make it like a caricature comedy and be truthful to it without making it look like acting, then it can become impressive. We managed to do that. We kept that atmosphere alive and that’s why people started liking it.”

Yadav has played various characters in his decades long career. About his selection criteria over the years, he said, “It should be something I have never done before. It should challenge me. I don’t enjoy if I am able to do it easily. It should give me sleepless nights (laughs). Doobne mein maza aata hai mujhe.”

When asked how he looks back at his enormous journey, the veteran said, “I just kept on learning. I didn’t think about reaching any goal because once you achieve it, it’s the end for you. I just felt like learning and having fun with it.”

Created by The Viral Fever, Panchayat also stars Jitendra Kumar, Neena Gupta, Sanvikaa, Faisal Malik, Chandan Roy among others.

Also Read: EXCLUSIVE: Raghubir Yadav on the personal reason for choosing Om Ka Hari, “I have stayed in UP, MP and Bihar villages and seen such conflicts”; also shares his simple yet effective role selection criteria

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Bigg Boss 20: Rohed Khan exits as FIRST eviction, Salman Khan says, "Well played with dignity"

Rohed Khan’s stint in the Bigg Boss 20 house may have come to an end, but the contestant walked out with words of appreciation from none other than host Salman Khan. Rohed has become the first contestant to be eliminated from the season.

As Rohed prepared to bid farewell to the house, Salman Khan acknowledged his journey and appreciated the way he carried himself during his time on the show. Salman praised Rohed for maintaining his dignity through the highs and lows of the Bigg Boss experience.

Addressing him, Salman said, “Job well done. Well played with dignity. Your are a good man.”

The appreciation made Rohed’s final moments on the show particularly meaningful. During his stint, he found himself navigating changing equations, nominations and different dynamics inside the house, while getting the opportunity to showcase his personality to the audience.

The farewell also turned into a memorable exchange when Rohed opened up about his desire to work with Salman in the future. Expressing his admiration for the superstar, Rohed said, “I really want to work with you.”

Salman’s response left the door open for a possible collaboration someday. Salman Khan told Rohed, “One day we will work.”

The encouraging exchange added an emotional touch to Rohed’s exit and gave his Bigg Boss journey a positive closing moment.

Although his Bigg Boss 20 journey has concluded, Rohed’s exit was marked by Salman’s appreciation for the way he conducted himself with dignity. With Salman Khan's words of encouragement and the possibility of working together in the future, Rohed left the show on a memorable note.

Also Read: Bigg Boss 20: Mahhi Vij, Mary Kom lock horns after Love Gill provokes boxer over ration task, watch promo!

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Bigg Boss 20: Sidharth Malhotra calls Kanika Mann a "true alpha"; says his mom is watching her journey

Bigg Boss 20 contestant Kanika Mann received a special shoutout from Sidharth Malhotra during the latest Weekend Ka Vaar episode. The actor, who appeared on the show with Tamannaah Bhatia to promote their upcoming film The Vvaan: Force of the Forrest, spoke to the contestants and had a few words of appreciation for Kanika.

During his interaction with the housemates, Sidharth praised Kanika's personality and the way she has been conducting herself inside the Bigg Boss house. He referred to her as a “true alpha” and also revealed that his mother has been following her journey on the reality show.

The shoutout came as Kanika continues to navigate the various equations and disagreements inside the Bigg Boss house. The actress has frequently expressed her opinions during conversations with fellow contestants and has been involved in several discussions as the season progresses.

Sidharth's mention of his mother watching Kanika's journey added a personal touch to the interaction. His appreciation also gave Kanika a moment of recognition during the Weekend Ka Vaar episode.

Meanwhile, Sidharth and Tamannaah appeared on the show as part of the promotions for The Vvaan: Force of the Forrest. Their appearance included interactions with Salman Khan and the contestants, with Kanika's shoutout emerging as one of the highlights for the actress.

For Kanika, the moment marked a notable interaction with Sidharth, particularly after the actor acknowledged her presence and personality on the show.

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Nikkhil Advani reveals many Gen Z viewers want a Chandni Chowk To China sequel: “They saw Akshay Kumar fighting a giant potato and somehow it worked for them”

Nikkhil Advani began his career as an assistant director before making a smashing directorial debut with Kal Ho Naa Ho (2003). After helming several significant films, he switched gears and carved a niche for himself in the OTT space with shows like Mumbai Diaries, Freedom at Midnight and the recently released The Revolutionaries. He has also produced acclaimed shows such as The Empire, Rocket Boys and Adhura, along with films like Airlift (2016) and Mrs Chatterjee vs Norway (2023), further adding to his impressive body of work. In a recent interview, Nikkhil opened up like never before about his family migrating from Sindh during the Partition and also spoke about how younger generations are reacting to his films.

After Kal Ho Naa Ho, Nikkhil Advani’s next directorial was Salaam-E-Ishq (2007), followed by Chandni Chowk To China (2009). The latter, starring Akshay Kumar and Deepika Padukone, didn’t receive a favourable response from the audience at the time. However, Nikkhil revealed that Gen Z viewers have since appreciated the film, with many even asking him to make a sequel to Chandni Chowk To China.

Nikkhil Advani told Mumbai Mirror, “The people asking me for a Chandni Chowk sequel today were four years old when it was released (laughs). They didn’t care about narrative structure; they just saw Akshay Kumar [who plays a chef in the film] fighting a giant potato and somehow it worked for them.”

In the same interview, the acclaimed filmmaker revealed that in the summer of 1947, just before the Partition, his great-grandfather flew with his whole family from Sindh to Mumbai, before the former became a part of Pakistan.

Nikkhil Advani also revealed that during the journey, his grandfather carried a heavy money belt strapped around his waist. The money was not his savings. According to the article, “He worked for Habib Bank, which was shifting its headquarters to Karachi at Muhammad Ali Jinnah’s behest”. Hence, he was entrusted to deliver the cash to its Bombay branch. And his grandfather "handed over every rupee".

Also Read: Akshay Kumar and Vipul Shah’s Samuk takes authenticity to another level in London; makers use REAL helicopter for dramatic sequence instead of VFX

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Sameer recalls David Dhawan’s reaction to Kuch Kuch Hota Hai’s title song: "Bada ganda gaana likha hai tune, yaar!"

Lyricist Sameer had a conversation with Komal Nahta and spoke about the banners and filmmakers he particularly enjoyed working with over the years. Sameer said, “I had a wonderful time working with Yash Chopra and his production house. I haven’t done a lot of work with them; I wrote songs for Aaina (1993), Yeh Dillagi (1994), Dhoom (2004), Dhoom 2 (2006) and Dhoom 3 (2013). Unke yahaan kaam karne ka mazaa hai kyunki bahut sensibility ke saath kaam hota hai. While working with them, you’d feel like you are a part of their family. They understand cinema, the craft, lyrics, poetry, etc.”

Sameer continued, “I wrote 3 films for B R Chopra – Kal Ki Awaz (1992), Baghban (2003) and Baabul (2006). I can’t tell you the contribution of Chopra saab during Baghban. I had a good time working with Karan Johar. I only did two films with him – Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham (2001). Lekin jo kaam karne ki samajh uss aadmi mein hai, khaas kar music ko leke, it's praiseworthy.”

Sameer revealed, “At one point, Jatin-Lalit almost quit Kabhi Khushi Kabhie Gham. They were pressurized by the presence so many stars of different generations. I told them, ‘Yeh film aap log mat chodo. Bas Karan ko follow karo’. That’s what I did. The song ‘Say Shava Shava’ was difficult as it had so many actors – Amit ji bhi hai, Jaya ji bhi hai, Shah Rukh bhi hai, Rani bhi hai, Kajol bhi hai. But that man (Karan Johar) narrates so minutely that it became very easy. Mujhe pata bhi nahin chala maine Kabhi Khushi Kabhie Gham ke gaane kab likh diye!”

Sameer then started, “The first song of Kuch Kuch Hota Hai, which was released, was, ‘Tum Paas Aaye, Yun Muskuraaye’. David Dhawan heard the song. He called and told me, ‘Bada ganda gaana likha hai tune, yaar. Meri picture mein aisa gaana likhna mat’ (laughs)! I asked him, ‘Teri picture ka gaana hai? Tu kyun pareshan ho raha hai? Jaane de na’. He said, ‘Meri film ke gaane bhi release hue hain. Uss film ke music ko khatam nahin kar diya toh tu mujhe bata’!”

The film David Dhawan mentioned was Bade Miyan Chote Miyan (1998) and Sameer wrote the songs for it as well. Sameer added, “Both films (Kuch Kuch Hota Hai and Bade Miyan Chote Miyan) were released on the same day and the songs of both the movies were blockbusters.”

Also Read: Subhash Ghai celebrates Ishita Deshmukh as Gondhal becomes India’s official Oscar entry

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SHOCKING: Sameer reveals, "Nadeem Saifi heard Zamaana Deewana’s script and told Ramesh Sippy, ‘Aisi WAHIYAAD kahani maine nahin suni’!"

Lyricist Sameer had a conversation with Komal Nahta, during which he went down memory lane and shared several anecdotes related to prominent films and stars. He also spoke about the importance of music in cinema.

Sameer said, “A film can become a hit even without a song. For example, a film like Kanoon (1960) did work. But viewers will go to watch such films once. Film ki repeat value gaana hota tha. Once you see the film and know it story, toh aap baar baar kya wohi dekhne jaoge? During Aashiqui (1990), I witnessed viewers entering the theatre to see the song. Once the song would end, they would go out, have tea and then come back again to catch the next song. They had calculated the gap between the two songs and would enter the theatre accordingly! Imagine the importance of music. Also, in the 90s, we gave maximum hits with newcomers. Phool Aur Kaante (1991) was Ajay Devgn’s first film. Kya music tha uss film ka.”

He then spoke about music director Nadeem Saifi of Nadeem-Shravan fame, “Nadeem saw Ajay Devgn and told director Kuku Kohli, ‘Isko mat leke aana. Mujhe depression ho jaayega. How will we be inspired to write songs? Tumko yehi ek actor mila tha.’ But when he saw him in the film, he congratulated him. He accepted that (he made a mistake). I don’t know if Kuku ever told Ajay about this episode!”

Sameer continued, “That’s how Nadeem is. He would not mince words. Ramesh Sippy offered a film to us, Zamaana Deewana (1995; starring Shah Rukh Khan and Raveena Tandon). We did the film eventually. Ramesh ji narrated the film to us for 2 ½ hours and then asked him, ‘Nadeem bhai, kaisa laga?’. Any other person would hesitate, especially when sitting in front of such a big director. But Nadeem told him, ‘Aisi wahiyaad kahani maine nahin suni’ (laughs)!”

Also Read: Kajol talks about AI vs human creativity: “A machine has thoughts already in a library”

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