Celina Jaitly shares emotional video cleaning late son Shamsher’s grave in Austria, opens up on her divorce procedure ordeal: “The only child I got to meet was my son Shamsher”

Actor Celina Jaitly has shared an emotional account of her ongoing divorce struggle and separation from her children through a heartbreaking Instagram post. Along with the note, the actor posted a video of herself cleaning the grave of her late son Shamsher, saying she had “no option” but to make her pain public.

“I had no option but to share this devastating video to show the world my trauma as a mother,” Celina wrote at the beginning of her post. Opening up about the legal battle, she revealed that she had recently travelled to Austria for divorce proceedings. “The last few weeks were the most difficult of my life. I was in Austria for my divorce hearing,” she wrote.

Celina alleged that despite assurances given before an Austrian judge, her children were not brought back to the marital residence. “Despite an undertaking before an Austrian judge, my children who were removed to an undisclosed location were not brought back to the marital residence,” she claimed. The actor added that during the visit, “The only child I got to meet was my son Shamsher, who passed away some time back.”

Sharing her emotional turmoil, Celina described herself as “a mother who has done everything for her children from the day they were born.” She also reflected on the personal sacrifices she made for her family and husband’s career.

 

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  A post shared by Celina Jaitly (@celinajaitlyofficial)

“I left my country, my parents, my work, & moved from India to Dubai, Singapore, Austria, back to Dubai, Austria AGAIN all to support my husband’s career,” she wrote. “I singlehandedly raised my children while standing firmly behind his ambitions, his relocations, his dreams, & the life we built together,” she added.

Celina further alleged that she suffered abuse and financial losses during the marriage. “For my dedication to marriage & children, I watched my assets being taken away, piece by piece… beared abuse,” she stated.

The actor also claimed that despite joint custody and an Austrian Family Court order, she has been denied access to her children. “Despite joint custody & a subsisting order of the Austrian Family Court, I am presently DENIED ANY COMMUNICATION with my 3 children & I am heartbroken!” she wrote.

She additionally alleged that there had been “repeated interference” in her communication with the children, including “brainwashing & intimidation to compel them to say things against me.”

Recalling the beginning of the separation, Celina claimed that in September she was served divorce papers “on the pretext of receiving a gift ordered for our 15th wedding anniversary at the local post office.”

Concluding the post, she said, “I REPEATEDLY SOUGHT AN AMICABLE SEPARATION IN GOOD FAITH, PRIORITIZING ONLY THE WELFARE OF THE CHILDREN,” but alleged that those efforts were met with “demands relating to my premarital assets & unreasonable conditions intended to strip me of my freedom & dignity even after divorce.”

Also Read: Celina Jaitly speaks out after court rejects plea to communicate with detained brother: “This was never about me”

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Prime Video and Amazon MX Player merge to create India’s biggest streaming platform with free and paid content

In a major development in India’s streaming landscape, Prime Video has announced the integration of Amazon MX Player into its platform, creating what the company calls India’s largest streaming service for exclusive originals across free and paid entertainment.

The move will bring together Prime Video’s premium subscription-based content library with Amazon MX Player’s extensive ad-supported content offering, giving viewers access to a wider range of entertainment under one unified destination. The combined platform will span Subscription Video on Demand (SVOD), Advertising Video on Demand (AVOD), Transactional Video on Demand (TVOD), and add-on subscriptions.

The integration comes after Amazon acquired certain MX Player assets in 2024 and merged them with Amazon miniTV to create Amazon MX Player. The service rapidly expanded its reach through local originals, reality programming, micro-dramas and dubbed international content.

With the latest merger, Prime members will now have access to a larger catalogue of originals and exclusives across devices, with options to watch content with ads or choose an ad-free experience. At the same time, viewers looking for free entertainment will continue to have access to a broad selection of ad-supported content along with seamless opportunities to subscribe to Prime.

Speaking about the integration, Gaurav Gandhi, Vice President, Asia-Pacific and ANZ, Prime Video, said, “Our focus at Prime Video has always been to bring authentic stories that reflect the diversity of our audiences. With the integration of Amazon MX Player’s expansive original slate and audience scale, our collective offering is bigger and stronger than ever — making Prime Video the one-stop destination for quality entertainment, for every customer in the country.”

He further added, “Amazon MX Player has built remarkable engagement through a diverse library, and bringing it together with Prime Video’s iconic stories means we can keep serving our customers with the largest selection of exclusive and original content from India and around the world.”

The integration is also expected to significantly expand advertising opportunities on the platform. Girish Prabhu, Vice President & Head, Amazon Ads India, described the move as a “gamechanger” for advertisers.

“The unification of Amazon MX Player with Prime Video is a gamechanger for advertisers in India. We've created a single streaming destination that reaches audiences across the entire spectrum — from free ad-supported viewers to Prime members — enabling true full-funnel advertising on an unprecedented scale. Advertisers now have access to the most relevant and high-performing ad formats, all powered by trillions of shopping, browsing, and streaming signals, transforming every impression into measurable business outcomes, making Prime Video the most comprehensive video advertising service in Indian streaming,” he said.

As part of the rollout, the Amazon MX Player app on Android will continue serving free streaming users with a rebranded identity and an integrated Prime Video experience. Users will also get the option to upgrade to Prime subscriptions for expanded content access. Meanwhile, the iOS, web and Living Room versions of the app will redirect viewers directly to Prime Video, where content from both services will be accessible.

Prime Video currently houses several acclaimed Indian and international originals, while Amazon MX Player has established a strong foothold in the free streaming market through its diverse catalogue. With this integration, Amazon aims to strengthen its position in India’s rapidly evolving OTT ecosystem by catering to both premium subscribers and free-streaming audiences under a single entertainment hub.

Also Read: Photos: Palak Tiwari, Raashi Khanna, King and others grace the trailer launch of Lukkhe

 

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Zee takes Nykaa to court over Instagram reels music use; seeks Rs. 2 crores in damages

In a significant legal move, Zee Entertainment Enterprises has filed a case against Nykaa, alleging unauthorised use of its copyrighted music in promotional content on Instagram. The media giant is seeking damages amounting to Rs. 2 crores (approximately $210,000), according to court filings reviewed by Reuters.

The lawsuit, submitted to the Delhi High Court on April 3, centres around the use of Zee-owned songs in short video clips posted by Nykaa on Instagram. Zee has argued that while it holds a licensing arrangement with Meta Platforms that permits individuals to use its music for non-commercial purposes, the same does not extend to brands using the tracks for advertising.

According to the claims, Nykaa allegedly featured several of Zee’s songs in Instagram reels to promote its products to its large follower base, without obtaining the necessary permissions. The case reportedly includes references to 12 such posts, along with supporting screenshots submitted as evidence.

Although the detailed court documents are not publicly accessible, both companies have refrained from issuing official statements on the matter so far.

During a recent hearing, Nykaa’s legal representative informed the court that the 12 identified reels had already been removed from the platform. This development was noted in a court order, though it has not been widely reported until now.

Zee’s complaint, which reportedly spans over 900 pages, maintains that the music was used without proper authorisation, and therefore constitutes a violation of its rights. The company has requested financial compensation for what it describes as unauthorised commercial exploitation of its content.

The case highlights a growing trend in digital marketing, where brands increasingly rely on short-form video content on platforms like Instagram, often pairing visuals with popular Hindi tracks to boost engagement.

Legal experts believe the outcome of this dispute could have broader implications for how companies approach music usage in social media campaigns. Aditya Gupta, a partner at Ira Law, noted that marketing teams frequently use music available in platform libraries without fully understanding usage restrictions, adding that a court ruling could bring greater clarity to such practices.

The matter is scheduled to be heard next on May 26, and its outcome is likely to be closely watched by both the media and advertising industries.

Also Read: Zee Music Company bags music rights of Yash starrer Toxic in major 2026 deal with KVN Productions

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SCOOP: Sanjay Dutt-starrer Aakhri Sawal unlikely to release in cinemas on May 8 due to censor issues; makers eye May 15 release

Bollywood Hungama has exclusively learned that Aakhri Sawal, which was all set to release in cinemas on May 8, is unlikely to make it to theatres on the scheduled date due to censor certification issues. We were the first ones to report last week that even the trailer has not yet been cleared by the Central Board of Film Certification (CBFC). The trailer, like the film, is still awaiting clearance from the Censor Board.

A source told Bollywood Hungama, “The nature of the film and its plot is such that the CBFC members are being cautious. The makers have explained to the CBFC committee that their film is based on historical events and records and hence, deserves to be released. The discussions between the makers and the CBFC have taken a lot of time. Hence, the producers of Aakhri Sawal felt that it would be wise to push the film to a later date.”

The source continued, “At present, the makers are considering releasing their film on May 15. Of course, this will be subject to receiving the censor certification on time. An announcement on the same can be expected soon once the hurdles are cleared.”

Directed by National Award-winning filmmaker Abhijeet Mohan Warang of Picasso fame, the film features a multi-generational ensemble cast. Alongside Sanjay Dutt, the lineup includes Namashi Chakraborty, Amit Sadh, Sameera Reddy, Neetu Chandra, Tridha Choudhury, Mrinal Kulkarni, Nikhil Nanda, Archana Iyer, and Bipin Nadkarni.

The film is produced by Nikhil Nanda and Sanjay Dutt under the banners of Nikhil Nanda Motion Pictures and Neem Tree Entertainment. The screenplay, script, and dialogues have been written by Utkarsh Naithani, while the music is composed by Monty Sharma with lyrics by Kumar Vishwas.

Interestingly, Aakhri Sawal was meant to release on May 15 at one point and was preponed to May 8 just last month.

Also Read: Aakhri Sawal director Abhijeet Mohan Warang on Sanjay Dutt’s reaction to the film’s script, “He said this is not just a film but…”

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Shah Rukh Khan-Deepika Padukone's King leak goes viral: Are fan pages bigger than official promotions now?

Leaked visuals from the South Africa schedule of King, featuring Shah Rukh Khan and Deepika Padukone, went viral online; Siddharth Anand requested fans not to circulate such visuals to preserve the film’s cinematic experience.

Once upon a time, Bollywood controlled the first look.

A poster was planned. A teaser was timed. A still was approved. A magazine cover was negotiated. A campaign was built week by week, sometimes month by month. The audience saw what the studio wanted them to see, when the studio wanted them to see it. That world is gone.

The King leak controversy proves it. One leaked visual from a foreign schedule can now do what crores of marketing money once did. Ignite national conversation before the makers are ready. Shah Rukh Khan and Deepika Padukone’s leaked visuals from the sets have sent fans into overdrive, while director Siddharth Anand’s appeal not to circulate them has raised a larger question: in today’s cinema ecosystem, are fan pages more powerful than official PR?

The answer is uncomfortable. In many ways, yes.

pic.twitter.com/sTvx9IP4w3 — Siddharth Anand (@justSidAnand) May 1, 2026

Fan pages today are not just fan clubs. They are distribution networks. They are hype machines. They are unofficial newsrooms, meme factories, archive libraries and emotional armies. They monitor shoots, track schedules, amplify sightings, decode costumes, compare looks, trend hashtags and create narratives long before studios release official material. For a film like King, starring Shah Rukh Khan, this ecosystem becomes even more intense. SRK fandom is not passive. It is organised, emotional and incredibly fast.

That speed is both a blessing and a problem. On one hand, leaked images prove massive curiosity. Nobody leaks or circulates something that no one cares about. The frenzy around King shows the scale of anticipation. It tells the industry that the film is already an event. It gives free publicity, organic chatter and instant recall. In marketing terms, that is gold.

But cinema is not only marketing. It is also an experience. A filmmaker plans reveals for a reason. A look, a frame, a costume, a location, a character dynamic, all these things are meant to arrive with context. When leaked in poor quality or without explanation, they can distort perception. A blurry picture becomes a theory. A half seen costume becomes a judgement. A random moment on the set becomes a first look. The surprise is diluted before the storytelling even begins.

That is why Siddharth Anand’s frustration is understandable. A film like King is not being built casually. It is being mounted as a major cinematic event. The makers would naturally want control over how the first real imagery reaches the public. But control is now the hardest thing for filmmakers to retain. The more anticipated the film, the more impossible secrecy becomes.

There is also a moral question for fans. If one loves a star, does circulating leaks help or hurt the film? Fans often argue that they are only spreading excitement. Filmmakers argue that they are damaging the surprise. Both sides have a point. Fan excitement is genuine. But love without restraint can become interference. There is a difference between celebrating a film and prematurely exposing it.

The deeper issue is that Bollywood’s promotional model has not fully adapted to the fan page age. Studios still think in terms of official drops. Fans operate in real time. Studios plan calendars. Fans chase moments. Studios want polish. Fans want immediacy. The gap between the two is where leaks thrive.

The King controversy also shows the changing power structure around stardom. Earlier, PR teams created narratives and fans consumed them. Today, fans often create narratives and PR teams react to them. A leaked image can force a filmmaker to issue a statement. A fan trend can push a studio to respond. A blurry video can become bigger than a planned announcement. This is not a small shift. It is a complete reversal of control.

For Shah Rukh Khan, this is not new. His fandom has always been emotionally charged. But after his massive comeback phase, every move around him carries even greater scrutiny. Add Deepika Padukone to the mix, and the curiosity multiplies. Every frame becomes content. Every gesture becomes discourse. Every leak becomes a headline.

The industry now has two choices. It can either keep fighting leaks with requests and warnings, or it can rethink how to handle anticipation in an age where secrecy is almost impossible. Perhaps the answer lies in faster official communication, controlled behind the scenes drops, stricter set protocols and a more direct relationship with fan communities. But even then, the truth remains: the fan page is now a stakeholder.

The King may still belong to the makers on screen, but off screen, the kingdom is increasingly being run by the fans.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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Dhurandhar The Revenge controversy settles: Santosh Kumar apologises to Aditya Dhar and team, Bombay High Court closes defamation suit

The legal tussle involving Aditya Dhar’s Dhurandhar The Revenge has, for the time being, reached a resolution after the Bombay High Court disposed of a defamation case. The development came after filmmaker Santosh Kumar formally apologised for his earlier public remarks.

The dispute traces back to March 2026, when Kumar accused Dhar of lifting the storyline for Dhurandhar The Revenge from his own script titled D-Saheb. He claimed that his script had been officially registered with the Screenwriters Association in 2023. These allegations were made during a press conference, following which Dhar approached the High Court, arguing that the statements were defamatory and had harmed his professional reputation.

As reported by Live Law, the matter was heard by a single-judge bench presided over by Justice Arif Doctor, who ultimately closed the case after Kumar issued an unconditional apology in court.

The official order recorded that Kumar’s counsel submitted the apology for statements made during the March 30, 2026 press interaction. Dhar’s legal representative informed the court that, in view of the apology, his client no longer wished to continue pursuing the defamation suit or seek damages. Accepting the apology, Dhar agreed that the matter could be concluded, leading the court to dispose of the case, noting that no further issues remained to be addressed.

While this brings an end to the defamation proceedings, the court clarified that Kumar retains the right to initiate separate legal action regarding his claim over the script. The ruling explicitly stated that any future proceedings on the issue of authorship would be independent and unaffected by the current order.

During earlier hearings, the court had encouraged both parties to settle the matter amicably and refrain from escalating tensions. Although Kumar was initially reluctant to issue a formal apology, he eventually agreed, paving the way for the dispute’s resolution.

For now, the defamation case stands closed, but the larger question surrounding the ownership of the story remains unresolved and could potentially lead to fresh litigation in the future.

Also Read: As Dhurandhar The Revenge becomes UK’s highest grosser, here’s the UNBELIEVABLE Kabhi Khushi Kabhie Gham record that still refuses to die after more than 24 years

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Shah Rukh Khan, Deepika Padukone shoot for romantic track for King in LEAKED video

A new video from the sets of King has surfaced online, adding to the growing buzz around the film. The clip, reportedly from the ongoing shoot schedule in Cape Town, appears to capture a romantic sequence featuring Shah Rukh Khan and Deepika Padukone.

In the video, the two actors run towards each other along a beach before coming together in a signature romantic pose. Deepika is dressed in a flowing white outfit, while Shah Rukh Khan is seen wearing a multi-coloured striped shirt paired with black denims. The sequence is set against a sunset backdrop, which adds to the visual appeal of the scene.

At one point in the clip, Shah Rukh Khan is also seen recreating his well-known arms-outstretched pose, drawing reactions from members of the crew present during the shoot. The moment has been widely shared across social media platforms, with fans reacting to the on-screen pairing. Deepika Padukone and SRK from the sets of King. by u/AgreeableScarcity568 in bollynewsandgossips

The video follows a series of images from the same schedule that went viral earlier. At the time, director Siddharth Anand had addressed the leaks on social media, urging fans not to circulate unauthorised content. He wrote, “REQUEST TO ALL THE FANS. Please do not post or circulate any leaked multimedia from the sets of KING. The team is working round the clock to ensure the best cinematic experience for everyone. Let us wait for the surprise on the big screen and for the assets to be revealed as the team of King originally intends to.”

Speaking of the upcoming SRK starrer, it also features Suhana Khan, who is set to make her theatrical debut after appearing in The Archies. The cast further includes Rani Mukerji, Raghav Juyal, Arshad Warsi, Abhishek Bachchan, Jaideep Ahlawat and Saurabh Shukla in key roles. King is scheduled to release in theatres on December 24, 2026.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral

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Karan Johar says Met Gala moment feels like “coming full circle” in career; wishes to take selfie with Sabrina Carpenter for daughter Roohi Johar

Filmmaker Karan Johar spoke about his journey in fashion and cinema ahead of his appearance at the Met Gala 2026 in New York. In an interaction at the Empire State Building, Johar reflected on how his career has come full circle, returning to fashion on one of its most prominent global platforms.

Recalling his early years, Johar said, “I did start as a costume designer. That was my primary passion when I was about 22 years old. And then I discovered on the sets of a film that filmmaking is what really exhilarates me, excites me, inspires me.” He added that while he moved on to become a director and producer, his connection with fashion has remained constant over the years.

Johar also shared memories of his first exposure to fashion through magazines. “I remember the origin of fashion in my life was Vogue. I remember reading my first fashion magazine that I read when I was all of 12 years old was Vogue. That time it wasn't available in India, so I had to go to a tiny shop that sold some old Vogue magazines,” he said.

Speaking about the significance of attending the Met Gala, Johar noted that it was an event he had followed for years. “I always imagined what it would feel like to be on that carpet that represents like a story with fashion and so much talent and so much artistry and hours of execution of each garment and ideation. I just feel like fashion is such a deep art form,” he said. He added that this year’s theme further strengthened the personal significance of his presence. “For me to come back this year where the theme is fashion is art really not only just completes an entire circle in my head, but also it's such a critical year to be representing India,” he said.

The filmmaker emphasised the importance of showcasing Indian culture on a global stage. “I'm here to represent my country and also showcase our deep cultural heritage through my garment,” he added.

On a lighter note, Johar spoke about a personal wish for the evening. “I'm the father of twins. Yash and Roohi, they're both nine. My daughter is obsessed with Sabrina Carpenter. If I can meet her and if I can take a selfie with her, if that would be permissible, allowed, and if I am not encroaching on her privacy, I think my daughter will just, it'll be the best gift to give her,” he said.

Johar also confirmed that his outfit for the evening has been designed by Manish Malhotra. “He is a legendary designer from India. He's also my best friend. We've been collaborators on film forever. Every film that I've directed, he has actually designed for costumes. His name is Manish Malhotra. He has made my garment, which had to happen because we've had a journey together as best friends,” Johar shared.

He further added that their collaboration for the Met Gala holds emotional value. “He went into the world of fashion, I went into film, and we crossed paths beautifully, and we're here to represent our country together, and I feel really great and emotional about it.”

Also Read:Karan Johar turns the Met Gala 2026 into a living canvas, pays tribute to Raja Ravi Varma in Manish Malhotra creation

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Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema.

The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless.

Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will also be the same for people.”

He added, “With this film, Mudassar Aziz has crafted something that carries forward that spirit of clever writing in cinema that celebrates comedy of errors beautifully. This is an out and out family entertainer meant to be enjoyed together, where the comedy comes from a series of errors and misunderstandings. It’s a throwback to a time when storytelling was simple, clean, and genuinely funny and that’s exactly what we’ve tried to recreate here. I’m a big fan of such cinema and it was truly refreshing for me to see someone wanting to make that kind of film and celebrate the simplicity of emotions”.

At a time when Hindi cinema is constantly chasing newer formats, genres and spectacle-driven narratives, Pati Patni Aur Woh Do looks back at a much-loved style of comedy that relied on sharp writing, timing and character-based humour. In doing so, the film aims to remind audiences why comedy of errors has remained one of the most enjoyable genres for Indian families.

Slated to release in theatres on May 15, 2026, Pati Patni Aur Woh Do promises to deliver laughter rooted in timeless storytelling, offering a wholesome cinematic experience for families.

Also Read: Pati Patni Aur Woh Do Trailer: Ayushmann Khurrana caught in a web of chaos with Sara Ali Khan, Wamiqa Gabbi and Rakul Preet Singh

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Ameesha Patel stuck at Dubai airport amid flight cancellations: “Can’t wait to get home to Mumbai”

Bollywood actor Ameesha Patel has shared her travel troubles after being stuck at Dubai airport for several hours due to flight delays. The actor took to social media to express her ordeal as she waited to return home to Mumbai.

In a post shared on X, Ameesha described the long and tiring wait at the airport, writing, “Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️.”

Her post quickly caught the attention of fans, many of whom sympathised with her situation and shared similar travel experiences. Flight delays have become an issue at busy international hubs like Dubai and several other airports in the Middle East due to the ongoing tensions in the region, as per latest reports.

Been hours n hours at DUBAI airport !! And the wait continues …. Can’t wait to get home to MUMBAI ❤️❤️❤️ pic.twitter.com/Kcmrro3fyf — ameesha patel (@ameesha_patel) May 5, 2026

Ameesha’s tweet highlighted the inconvenience faced by travellers when schedules are disrupted. Despite the frustration, the actor remained hopeful about reaching Mumbai soon.

The actress, known for films like Kaho Naa... Pyaar Hai and Gadar, is quite active on social media and often keeps her followers updated about her personal and professional life. This incident is yet another glimpse into the challenges faced by citizens and celebrities alike when it comes to regional conflicts.

Ameesha was last seen in Gadar 2 (2023), which became one of the biggest blockbusters. Directed by Anil Sharma, the movie also starred Sunny Deol and Utkarsh Sharma in key roles.

Also Read: Ameesha Patel slams Zakir Khan’s ‘Jealous Bollywood’ claim: ‘SRK, Salman, Sunny have given 25+ hits’

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Jacqueline Fernandez set to return to Cannes Film Festival 2026

Actor Jacqueline Fernandez is expected to attend the 79th edition of the Cannes Film Festival, scheduled to take place from May 12 to May 23, 2026, in France. The actor, who has been a recurring presence at the festival in recent years, is preparing for her appearance on the international red carpet.

According to sources, Jacqueline has already begun preparations, which include styling sessions and finalising her wardrobe for the event. Her Cannes outings have often drawn attention for their fashion choices, and similar expectations surround her appearance this year as well.

A source close to the development said, “Jacqueline’s Cannes appearances have consistently reflected her evolution as a global personality. Every year, she ensures her presence goes beyond fashion and glamour, carrying India’s representation onto an international stage with elegance and confidence. This year too, she is carefully finalising multiple looks that align with her global image while celebrating her roots.”

Jacqueline has maintained a steady association with Cannes over the past few years. In 2025, she was recognised by the Red Sea Film Foundation as part of its Women in Cinema initiative. She was among a select group of international artists acknowledged for their contributions to the film industry.

In 2024, the actor attended the festival and was present at the premiere of The Substance. Her appearances during that edition also received attention across fashion and entertainment platforms.

With Cannes 2026 approaching, Jacqueline Fernandez’s return adds to the list of Indian personalities expected to mark their presence at the festival. Her participation continues to reflect the growing visibility of Indian actors at international film events, where cinema and fashion often intersect.

Also Read: Tara Sutaria to make Cannes 2026 debut amid Toxic buzz; set to represent India globally

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