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CINTAA faces contempt proceedings over October 20 elections; Bombay High Court seeks explanation

The Bombay High Court has sought an explanation from the Cine and Television Artistes Association (CINTAA) over its decision to hold elections and announce the results despite earlier court directions, as per a report by Times Now. The development follows a contempt petition filed by the Federation of Western India Cine Employees (FWICE), which has accused the association of disregarding judicial orders.

On October 22, Justice Aarti Sathe issued a show cause notice to CINTAA, stating that the material placed before the court indicated a prima facie case of wilful disobedience and breach of undertaking. The court has also restrained the association from implementing the outcome of the elections held on October 20, 2026.

FWICE’s petition alleges that CINTAA failed to comply with directions issued by the Bombay High Court on September 11 and October 19. The earlier orders required the parties involved in the dispute to refrain from taking further steps that could affect the court’s directions while a Notice of Motion remained pending before the trial court.

According to the petition, CINTAA went ahead with its election process and declared the results despite these restrictions. FWICE has therefore approached the High Court seeking action over the alleged non-compliance. The federation was represented by Advocates Saveena Bedi Sachar and Ashok Shetty.

The show cause notice, issued under Rule 9(1) of the Contempt of Courts (Bombay High Court Rules, 1994), requires CINTAA to explain why proceedings under the Contempt of Courts Act, 1971, should not be initiated against it. The allegations concern the purported disregard of the previous orders and/or a wilful breach of the undertaking given before the court.

The High Court’s direction means CINTAA cannot act on the October 20 election results or give effect to them while the restraint remains in place. The notice represents an opportunity for the association to respond to the allegations; the court has not yet made a final determination on the contempt petition.

The matter is scheduled to come up before the Bombay High Court again on November 18, 2026.

Also Read: Poonam Dhillon hits back at CINTAA members after mass resignations: “I’m shocked by their allegations”



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Kriti Sanon opens up on her next solo lead with Maddock Films: “I'm doing a film that is on my shoulders”

With more opportunities emerging for female-led films, conversations around gender parity, pay disparity and the commercial potential of women-centric stories continue to be a part of the entertainment industry. Actress Kriti Sanon recently shared her views on the changing landscape, highlighting the role of audiences in encouraging filmmakers to invest in stories led by women.

Kriti, who is reportedly set to headline a large-scale horror film backed by Maddock Films, also spoke about the difference in remuneration between male and female actors. While she acknowledged the growing number of substantial roles being written for women, she noted that pay parity remains an area that needs attention.

Talking about the rise of female-driven projects, the actress said, “With OTT and so many other platforms coming in, and also a lot of writers writing meaty parts for women, which is amazing, because now it's not just about male-driven films. There are many female-driven films that are also happening. Women are also opting for meaty parts. But of course, there is a lot of difference in the pay and the fee, which still needs to change. But it is all a mathematical calculation of what the return is going to be in theatres, what the platforms pay for certain films and certain actors.”

She added, “But I would actually like to say, I'm doing a film that is on my shoulders, a solo lead next. And I actually want the audiences to make it make as much money as it would if it had a male actor. Make it a blockbuster, and things will change. I feel it's not just about the industry. It's actually a calculated thing where how much you invest and how much you're getting is dependent on that. And actually, I feel the audiences need to make that difference also, you know, by watching a film regardless of the gender. So when that happens, and a film that's on a female's shoulders opens to big numbers, things will change.”

Through her remarks, Kriti emphasised that the success of female-led films at the box office could influence the industry's approach to casting, budgets and remuneration. She pointed out that the financial returns associated with a film play a role in determining how much producers invest in a project and how actors are paid.

The actress also called on audiences to support films based on their content rather than the gender of the lead actor. According to her, when a woman-led film achieves box-office numbers comparable to those of a male-led project, it could encourage the industry to explore more such ventures.

Kriti's next solo-led film is reportedly a large-scale horror project with Maddock Films. While further details about the project have not been confirmed in the information provided, her comments have brought attention to the commercial expectations surrounding female-led theatrical releases and the importance of audience participation in driving change.

Also Read : Kriti Sanon’s latest photo dump features dubbing studio glimpse, Pani Puri, Navratri celebration and more!



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Madhur Bhandarkar announces Syama – The Missing Chapter on Dr. Syama Prasad Mukherjee

Filmmaker Madhur Bhandarkar is set to explore the life and legacy of Dr. Syama Prasad Mukherjee in his next project, following the completion of his upcoming film The Wives of Bollywood. The National Award-winning filmmaker and Padma Shri recipient will direct the film, which is backed by producer Aditya Kumar Halwasiya and jointly produced by Bhandarkar Entertainment and AKH Ventures.

Titled Syama – The Missing Chapter (working title), the film aims to bring the story of Dr. Syama Prasad Mukherjee to the big screen, revisiting his political journey, ideological beliefs and role in India's history.

A scholar and statesman, Dr. Mukherjee was a prominent political figure who advocated national unity. His journey included becoming the youngest Vice-Chancellor of the University of Calcutta and serving in independent India's first Cabinet under Prime Minister Jawaharlal Nehru.

The film will explore his ideological differences with the government, his decision to resign from the Cabinet and his role in founding the Bharatiya Jana Sangh in 1951. It will also revisit his 1953 campaign against the permit system in Jammu and Kashmir and the circumstances surrounding his death in detention.

Combining elements of historical drama and political thriller, Syama – The Missing Chapter seeks to examine the decisions and convictions that shaped Dr. Mukherjee's public life. The project also aims to revisit a chapter of India's political history and introduce his ideas and legacy to a new generation of viewers.

Speaking about the project, producer Aditya Kumar Halwasiya said, “Dr. Syama Prasad Mukherjee’s life is a powerful reminder that true leadership lies in courage, conviction and service to the nation. Through Syama, we aim to bring his remarkable journey to the screen and inspire a new generation to discover our history, embrace our heritage and understand the values that help shape our nation’s future,”

Director Madhur Bhandarkar also shared his thoughts on the project and said, “Exploring Dr. Syama Prasad Mukherjee’s life for the first time as a filmmaker is both a challenge and demanding. Through Syama, I hope to bring an important chapter of India’s history to the screen with honesty, sensitivity and a fresh perspective.”

The film is scheduled to go on floors next year, while further details about the cast and other aspects of the project remain under wraps.

Also Read : Madhur Bhandarkar praises Hanuman Ansh: “True conviction and powerful storytelling always triumph over massive budget films”



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Shahid Kapoor and Kareena Kapoor Khan share warm hug at IIFA press conference in Mumbai; video goes viral

Shahid Kapoor and Kareena Kapoor Khan sparked nostalgia among fans after sharing a warm hug at the recent International Indian Film Academy (IIFA) press conference in Mumbai. The two actors, who were among Bollywood’s most widely discussed couples in the early 2000s, exchanged smiles and pleasantries at the event, with videos of their interaction subsequently circulating on social media.

The moment unfolded as Kareena stepped down from the stage, where she had been sharing the spotlight with Salman Khan and other attendees. Shahid, who was standing nearby, caught her attention, and the two greeted each other with a hug before briefly exchanging pleasantries. Their cordial interaction quickly caught the attention of fans, many of whom associated the reunion with their popular on-screen pairing in Jab We Met.

Both actors made distinct fashion choices for the press conference. Kareena arrived in an all-black ensemble featuring a top and a tailored skirt, while Shahid opted for an all-white silhouette.

 

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This is not the first time their friendly interactions at an IIFA event have generated interest online. In early 2025, the actors also exchanged greetings at an IIFA press event in Jaipur. Responding to the attention their interaction received at the time, Shahid had said that it was nice if people felt happy seeing them together, while adding that they often crossed paths in everyday life.

Shahid and Kareena’s relationship was widely followed during the early 2000s, when they also appeared together in films such as Fida (2004), 36 China Town (2006) and Chup Chup Ke (2006). Their most celebrated collaboration remains Imtiaz Ali’s Jab We Met (2007), in which they played Aditya and Geet. The film went on to become a popular romantic drama, and their on-screen chemistry continues to be remembered by audiences.

The actors later appeared in Milenge Milenge, which was released in 2010, and were also part of the ensemble cast of Udta Punjab (2016), although they did not share screen time in the latter film.

Both have since moved on in their personal lives. Shahid is married to Mira Rajput, while Kareena is married to Saif Ali Khan. Their latest interaction at the IIFA press conference offered a glimpse of their cordial equation at an industry event, bringing renewed attention to a pairing that remains familiar to Hindi film audiences.

The press conference was held ahead of the upcoming IIFA awards event in Abu Dhabi.

Also Read: Photos: Salman Khan, Shahid Kapoor, Varun Dhawan, Rashmika Mandanna, Kareena Kapoor Khan and others snapped at IIFA Digital Awards press conference



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Tiger Shroff team shares video of his injuries after Juhu firing incident; actor reportedly sustained cuts and bruises

Days after a shooting incident of Tiger Shroff in Mumbai’s Juhu neighbourhood, his team has shared a video on their official social media handle showing the injuries he sustained during the attack. The footage features visible cuts, abrasions and bruises, offering a glimpse of the physical impact of the incident. The actor reportedly escaped direct bullet injuries when unidentified assailants opened fire at his vehicle.

According to the details shared, the injuries were sustained amid the chaos as bullets struck the vehicle and shattered glass. The video shows marks on Tiger’s arms and back. The social media post comes as the investigation into the firing continues, with multiple agencies working to establish the circumstances surrounding the attack and identify everyone allegedly involved.

The shooting took place at around 7 pm on Sunday, October 18, outside a sports facility in Juhu. According to reports, motorcycle-borne assailants opened fire at Tiger’s car before fleeing the scene. The two-wheeler was reportedly abandoned near Andheri West railway station.

Tiger Shroff reportedly avoided fatal injuries, while his driver, Firdous, and a passer-by sustained injuries and were taken to Nanavati Hospital. The driver is said to remain under medical observation as he recovers.

 

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Following the incident, an unverified social media claim linked the attack to the Lawrence Bishnoi syndicate. However, the allegation has not been independently established, and investigators are continuing to examine the possible motive and the wider circumstances of the firing.

The Mumbai Crime Branch, working with other law enforcement agencies, has carried out arrests across several states in connection with the case. According to the details provided, the total number of people arrested had reached 10 by October 23.

Three key suspects, identified as Rehan Ansari, Phool Singh and Ritik Mahtoo, were reportedly apprehended in Kota, Rajasthan, while allegedly attempting to flee towards the Nepal border. They were subsequently brought to Mumbai. On October 21, a Mumbai court reportedly remanded the three suspects to police custody until October 31.

Investigators are also examining an alleged interstate weapons network and possible links between those accused of carrying out the attack and individuals suspected of assisting them. Further inquiries are reportedly focused on the planning of the incident, the movement of weapons and the possibility of a wider conspiracy.

The investigation has also prompted renewed scrutiny of security arrangements for prominent Bollywood personalities. Tiger’s representatives have expressed appreciation for the police response and urged people to refrain from circulating unverified information while the investigation remains ongoing.

Also Read: Tiger Shroff resumes shooting of Lag Jaa Gale two days after firing incident: Report



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IMA seeks review of Sunny Deol starrer Suryaa: Ant Se Aarambh Tak; raises concerns over portrayal of doctors and hospital violence

The Indian Medical Association (IMA) has raised objections to the promotional content of Sunny Deol’s upcoming crime drama Suryaa: Ant Se Aarambh Tak, expressing concern over its portrayal of the medical profession. In a formal communication, the association questioned whether the film’s depiction of alleged corruption and violence against healthcare workers could contribute to negative perceptions of doctors and hospital personnel.

The IMA has outlined four key areas of concern, including the generalisation of alleged misconduct across the medical fraternity, the depiction of physical assaults on healthcare workers, the safety of medical personnel and the potential impact on doctor-patient trust.

In its letter, the association cautioned against portraying individual instances of wrongdoing in a manner that could reflect on the wider medical community. It stated, "The portrayal risks creating the impression that corruption, unethical practices, and alleged corruption in medical fraternity. While individual misconduct must be investigated and punished, the actions of a few must not be used to tarnish the reputation of countless honest and dedicated doctors."

The organisation also expressed concern over scenes involving physical confrontations in medical facilities, particularly if such actions are presented as justified. The IMA stated, "Scenes depicting physical assaults on doctors, nursing staff, and hospital personnel, particularly when presented as heroic or justified acts, risk normalising violence against those committed to saving lives."

Highlighting the safety concerns faced by healthcare workers, the association further said, "Doctors and healthcare personnel already face serious safety challenges in hospitals. Content that appears to glorify attacks on medical professionals may encourage hostility and further endanger those providing essential healthcare services."

The IMA also flagged the possible impact of such portrayals on public confidence in medical professionals, stating, "Such portrayals may foster unwarranted mistrust and hostility towards doctors, weakening the mutual trust and cooperation essential for effective treatment and healthcare delivery."

While making its objections known, the association clarified that it does not support unethical medical practices and that individual cases of misconduct should be addressed through statutory and disciplinary mechanisms. It argued that such instances should not lead to broad portrayals that could affect the reputation of the profession or discourage aspiring medical students.

As part of its appeal, the IMA requested an impartial review of the film’s content and asked for appropriate corrective measures to address its concerns. It also called on the relevant authorities to consider further action, stating, "In view of these concerns, we respectfully request... [an] impartial review of the film's content and its portrayal of the medical profession; seek appropriate corrective measures from the filmmakers to address the generalisation of alleged misconduct and the depiction of violence against healthcare workers; [and] consider a ban or other appropriate action if justified under applicable law."

Directed by M. Padmakumar in his Hindi directorial debut, Suryaa: Ant Se Aarambh Tak is an official remake of the 2018 Malayalam crime thriller Joseph. The film stars Sunny Deol as a retired police officer who investigates disturbing revelations involving medical malpractice and systemic corruption following a personal tragedy. The supporting cast includes Ravi Kishan, Pragya Jaiswal, Manish Wadhwa and Jisshu Sengupta.

Produced by Kamal Mukut, the film is scheduled to release theatrically on November 20, 2026. The IMA’s objections have brought attention to the film’s portrayal of healthcare workers ahead of its planned release.

Also Read: On Sunny Deol’s birthday, Suryaa: Ant Se Aarambh Tak teaser unleashes his fight against corruption within the medical system; watch



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Rakul Preet Singh makes a BIG claim about Ranbir Kapoor in Ramayana: “After this film, every time you think of Lord Rama, you will see Ranbir”

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the grand musical event of their upcoming film Ramayana in Chennai. A R Rahman mesmerized the audience by performing songs from the film. However, one of the highlights of the evening was Rakul Preet Singh’s praise for Ranbir Kapoor and his portrayal of Lord Rama.

Rakul said, “I am so, so happy to be here. I am going to keep it very sweet and short. I am going to begin by thanking the visionary, Namit sir. We need a bigger round of applause for someone who has been dreaming of this film for the last 10 years. You need a huge heart, guts and a mind which is very differently wired to be able to create a film and to envision a film that India can showcase to the world and say, ‘This is our history. This is our truth’. So, thank you so much, sir. None of us would have been here without you.”

She added, “I hope all of you watch and enjoy the film. The performances are amazing. Ranbir as Lord Rama is magical. After this film, every time you think of Lord Rama, I really think that you will see Ranbir. That’s the kind of portrayal he has done.”

She then praised Sai Pallavi and Ravie Dubey, “Sai as Sita is again beautiful. She’s a phenomenal actor. She has essayed the part with a lot of purity and rootedness. She’s a delight to watch on screen. There couldn’t have been a better Lakshman than Ravie at all.”

Rakul Preet Singh further said, “Lastly, as for Yash, he is magical on screen. I don’t know how it’s humanly possible for a person like him to portray a role like that with so much conviction. It’s unreal. So, you have to see it on the big screen to witness the magic. I really hope you all like the film and believe in the vision that we have tried to create.”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana Chennai event: Ranbir Kapoor apologizes for achhai-burai slip of tongue; says “Jo bhi main kehna chahoon, barbaad karein alfaaz mere!”



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Manoj Bajpayee reacts to Tiger Shroff firing incident, says “That's really scary”

Veteran actor Manoj Bajpayee has expressed concern over the firing incident targeting Tiger Shroff’s car in Mumbai’s Juhu neighbourhood, describing the situation as frightening and emphasising the need for a thorough investigation. Speaking to news agency ANI, Bajpayee said he was relieved that the Baaghi actor had escaped unharmed and hoped the authorities would take decisive action.

Reacting to the incident, Bajpayee said, “I don't see a gang war, but shots are being fired from who knows where, and that's really scary. Secondly, it's sad what happened to Tiger, but the best and happiest part is that he's safe, and his driver is also recovering slowly. Anyway, we aren't law and order experts or anything. From what I've heard in the news, the investigation is ongoing. The alleged suspects have been brought to Mumbai, and they've been arrested. I just hope the investigation wraps up as soon as possible and that an example is set so that next time, anyone will think twice before doing something like this.”

The incident took place on the evening of Sunday, October 18, when unidentified assailants allegedly opened fire at Tiger Shroff’s car in Juhu before fleeing on a motorcycle. The actor escaped without gunshot injuries, while his driver, Firdous, and a bystander sustained injuries and were taken to Nanavati Hospital for treatment. The driver is reportedly recovering.

The Mumbai Crime Branch’s Anti-Extortion Cell is leading the investigation. According to reports, the suspected shooters fled Mumbai through Gujarat and Rajasthan and were intercepted in Kota before being brought back to the city. On October 21, a court remanded three accused to police custody until October 31 as investigators continued questioning them.

The probe has also widened beyond the alleged shooters. The Delhi Police Special Cell has reportedly arrested individuals suspected of being part of an interstate weapons supply network linked to the case. Investigators are examining possible connections to an overseas-based syndicate allegedly affiliated with the Lawrence Bishnoi gang. An online claim of responsibility has also been reported, although the alleged links and motive remain subject to investigation.

Meanwhile, reports that the accused may have conducted reconnaissance near other prominent residences have prompted precautionary security measures, including heightened security around Salman Khan’s Galaxy Apartments in Bandra.

Tiger Shroff’s team has urged the public and media to avoid speculation while the investigation continues. The authorities are expected to establish the circumstances surrounding the attack and determine whether a wider conspiracy was involved.

Also Read: Tiger Shroff’s team issues statement after firing in Juhu, says actor made “no statements” about incident



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Ramayana Chennai event: Ranbir Kapoor apologizes for achhai-burai slip of tongue; says “Jo bhi main kehna chahoon, barbaad karein alfaaz mere!”

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the musical event for their film Ramayana in Chennai. A R Rahman performed to the songs of the film and mesmerized the audience. Meanwhile, Ranbir Kapoor clarified the goof-up he made the day before at a Dussehra event held in Kolkata as part of Ramayana promotions. At this event, Ranbir Kapoor mistakenly said, “Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein anth sacchai aur acchaai ki hi hogi”. The video went viral on social media, leading to a lot of trolling.

Ranbir Kapoor began by saying, “Vanakkam, Chennai! Thank you for this love and energy. We really feel welcomed by all you beautiful people. Ramayana is a story that connects all of us through love, faith and our culture. I have had the privilege of working with the maestro, Mr Rahman, on two of my films (Rockstar and Tamasha). And both have been really special to me. But sir, this opportunity will be remembered forever. It’s really an opportunity of a lifetime to collaborate with you on this film.”

 

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He then said, “I would like to take this opportunity to apologize for an incident that happened yesterday. I was at a Dussehra event and I had a slip of tongue. What I meant to say is ‘Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein jeet sachhai aur achhai ki hi hogi’. So, this reminds me of a collaboration that I had with Rahman sir in Rockstar – ‘Jo bhi main kehna chahoon, barbaad karein alfaaz mere’! So, I truly apologize for that (smiles).”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana: Part 1 tax-free in West Bengal: CM confirms exemption for Ranbir Kapoor starrer



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Ramayana Chennai event: Ranbir Kapoor apologizes for achhai-burai slip of tongue; says “Jo bhi main kehna chahoon, barbaad karein alfaaz mere!”

Ranbir Kapoor, Yash, Sai Pallavi, Rakul Preet Singh, Ravie Dubey, producer Namit Malhotra, director Nitesh Tiwari and music maestro A R Rahman attended the musical event for their film Ramayana in Chennai. A R Rahman performed to the songs of the film and mesmerized the audience. Meanwhile, Ranbir Kapoor clarified the goof-up he made the day before at a Dussehra event held in Kolkata as part of Ramayana promotions. At this event, Ranbir Kapoor mistakenly said, “Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein anth sacchai aur acchaai ki hi hogi”. The video went viral on social media, leading to a lot of trolling.

Ranbir Kapoor began by saying, “Vanakkam, Chennai! Thank you for this love and energy. We really feel welcomed by all you beautiful people. Ramayana is a story that connects all of us through love, faith and our culture. I have had the privilege of working with the maestro, Mr Rahman, on two of my films (Rockstar and Tamasha). And both have been really special to me. But sir, this opportunity will be remembered forever. It’s really an opportunity of a lifetime to collaborate with you on this film.”

 

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He then said, “I would like to take this opportunity to apologize for an incident that happened yesterday. I was at a Dussehra event and I had a slip of tongue. What I meant to say is ‘Burai chahe kitne bhi taaqatwar kyun na ho, aakhir mein jeet sachhai aur achhai ki hi hogi’. So, this reminds me of a collaboration that I had with Rahman sir in Rockstar – ‘Jo bhi main kehna chahoon, barbaad karein alfaaz mere’! So, I truly apologize for that (smiles).”

Ramayana releases in cinemas worldwide on November 5.

Also Read: Ramayana: Part 1 tax-free in West Bengal: CM confirms exemption for Ranbir Kapoor starrer



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EXCLUSIVE: Vishal Rana calls Tu Hai Meri Kiran “our answer to Obsession”; reveals why he didn’t remix Shah Rukh Khan’s iconic Darr song: “Don’t want people to compare the two films”

Vishal Rana is all set to release his next film, Tu Hai Meri Kiran, this Friday, October 23. In an exclusive interview with Bollywood Hungama, the producer spoke about the film’s casting, its catchy title, the crowded release date and a lot more.

The first thing that stands out about Tu Hai Meri Kiran is that real-life couple Sonakshi Sinha and Zaheer Iqbal are seen in a completely different dynamic. How did that come about? The script came to me, and I found it interesting as it had a lot of twists and revolved around an obsessive lover. We approached Sonakshi first, and she really liked the story. We wanted an actress in the 25-30 age group, and she fit the bill.

Then it became a challenge to find an actor opposite her who could match her personality, aura, and demeanour. At the same time, the actor had to look more powerful than her, as he plays an obsessive, creepy stalker. We auditioned several actors, but we couldn't find the one we were looking for.

One day, I happened to meet Zaheer and felt that he should audition. When he tested for the part, my director Karan Rawal and I were both surprised. He brought the required intensity to the character of an obsessive lover. The character is a creep with grey shades who derives sadistic pleasure from troubling people. That came across very well during his audition.

I then realized that people would love to see Sonakshi and Zaheer pitted against each other rather than being together. That was the idea, and we are very happy with the casting, which happened quite unexpectedly.

The other catchy aspect of the film is its title, which is also a classic song from the Shah Rukh Khan-starrer Darr (1993). Tell us how you locked the title. Also, was it difficult to secure the title rights? Not really. We were looking for a suitable title. Since it’s the story of an obsessive person, one of the names that came to our minds was Darr. However, it was Zaheer who told us that he had narrated the film’s story to a friend, and she suggested the title Tu Hai Meri Kiran.

As you rightly said, even we thought that we might not get the rights. But we were pleasantly surprised when we approached IMPPA (Indian Motion Picture Producers' Association) and discovered that the title had not been registered by anyone!

The title works because it has strong recall value, but the film has nothing to do with Darr. It is neither similar to Darr nor a spin-off. It’s a completely different film, though the title gives you the vibe of a story revolving around an obsessive stalker.

Nowadays, remixes of old classics are in vogue. Did you consider acquiring the rights to the song ‘Tu Hai Meri Kiran’ from Darr? No. As I said, there are no similarities between the two films, and I don’t want people to compare them. We chose the title because the song ‘Tu Hai Meri Kiran’ has been strongly etched in people’s minds for years. We felt that the title itself was enough to give audiences an idea of what our film is about, without drawing direct comparisons. Hence, we didn’t acquire the rights to any song.

Globally, there has been a rise in films featuring dark and twisted themes, and many of them are working big time. The success of Obsession (2026) is a major example. Do you feel the timing is just right for Tu Hai Meri Kiran?

When I received the script, I liked it because it was different from the kind of films we usually make. As time passed, almost everything working in theatres was about obsessive lovers!

Obsession was released when we were completing our post-production. The film was a huge success, and we felt that the timing was perfect, as Tu Hai Meri Kiran could be our answer to Obsession.

We rarely make these kinds of films in our cinema. I hope people turn up in large numbers because the film will surely surprise them. Youngsters love stories packed with twists, and our film falls into that category. So, I believe the timing is right. Sometimes, you end up making the right film at the right time!

Tu Hai Meri Kiran releases on October 23, alongside six other films. Did you ever consider postponing its release? When I announced October 23 as the release date, only Luv Ranjan’s Pehla Pyaar Doosri Baar and one more film were scheduled to release that day. Gradually, more films joined the line-up. Then Udta Teer shifted to the same date at the last minute. By then, we had already begun our promotional campaign, so pulling back made no sense.

There have been instances where a small film has worked despite clashing with three big films. That happens when the content connects with the audience. Whichever film has better content will succeed, whether during the opening weekend or in the subsequent weeks. Hanuman Ansh was released between two big films. Yet, it managed to hold its own and make a mark. Likewise, we believe in our content.

Also, we genuinely feel that October 23 is a very good release date for our film. The other films releasing that day are mostly mid-sized or small productions. There’s no major event film clashing with us or releasing around the same time. This gives us some breathing space and allows word of mouth to build. From next month onwards, big films will release back-to-back. Had we postponed our release, we probably wouldn't have been able to bring the film to cinemas until next year.

What is the screen count for Tu Hai Meri Kiran? We are targeting a release across 500 screens with approximately 1,500 shows. Since so many films are releasing simultaneously, it’s difficult to secure screens. However, I believe that the number of screens doesn't necessarily matter.

Several films have opened on a slow note but gradually picked up, prompting theatres to increase their shows. On the other hand, many films have opened across a huge number of screens, only to collapse by Monday because the content was weak. Hence, I am hoping that our film speaks for itself and earns additional screens on merit rather than us having to push for them.

Also Read: Bombay High Court directs makers of Tu Hai Meri Kiran to deposit Rs. 8.85 crores before release



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