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Showing posts with label Features & Specials. Show all posts
Showing posts with label Features & Specials. Show all posts

Ali Fazal reacts as fans get tattoos inspired by Mirzapur: The Movie character Guddu Pandit: “Guddu belongs to the audience as much as he belongs to me now”

The popularity of Guddu Pandit, played by Ali Fazal in the Mirzapur franchise, continues to grow as fans find new ways to show their connection with the character. With Mirzapur: The Movie currently running in theatres, the character’s fandom has extended beyond social media posts and fan edits, with some admirers now getting tattoos inspired by Guddu Bhaiya.

Over the years, Guddu Pandit has influenced fan-created content, hairstyles, fashion choices, videos and edits. The latest expression of fandom has seen fans getting tattoos inspired by Ali Fazal’s character, reflecting the impact Guddu has had on the audience.

Ali Fazal, who has played Guddu Pandit across the franchise, said he feels touched by the continued response to the character, particularly after Guddu made the transition from the streaming series to the big screen.

Talking about the response, Ali Fazal says, “Honestly, I am extremely touched and overwhelmed by the love Guddu Bhaiya continues to receive. To see how the fandom has grown over the years and now multiplied even more after Mirzapur The Movie came to theatres is incredibly humbling. People have connected with Guddu in ways I could never have imagined, and seeing fans take that love to the extent of getting tattoos inspired by him is truly surreal. Guddu belongs to the audience as much as he belongs to me now. I am deeply grateful for all the love, and the fact that the film is doing so well at the box office makes this journey even more special.”

Guddu Pandit’s growing popularity highlights the lasting impact of the Mirzapur franchise and its characters. What started as a character from a streaming series has now reached a wider theatrical audience, with Guddu continuing to remain a prominent part of the franchise’s identity.

As Mirzapur: The Movie continues its theatrical run and receives a positive response from audiences, Ali Fazal is also reflecting on the character’s journey. The film’s performance has expanded the Mirzapur universe to the big screen while further highlighting the connection audiences have developed with Guddu Pandit over the years.

Also Read : Trade predicts Mirzapur The Movie can EASILY enter Rs. 200 crore club: “Rs. 10 cr+ Monday after a HUGE holiday weekend is a remarkable achievement”



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Orry talks about the struggles behind his glamorous image after Khatron Ke Khiladi 15 exit: “Nobody sees beyond that – the chaos, the struggle, the hustle, the hard work, the grit”

Orhan Awatramani, popularly known as Orry, has been eliminated from Khatron Ke Khiladi Season 15. Following his exit from the stunt-based reality show, Orry took to Instagram to reflect on his experience and open up about the struggles that often remain hidden behind his glamorous public image.

Known for his appearances at parties and his pictures with Bollywood celebrities, Orry said that social media often presents only the most polished version of a person’s life. Sharing several glimpses from his time on Khatron Ke Khiladi 15, he wrote, “We are educated to put only the shiniest, most pretty, perfectly curated moments on our feed. Everyone knows me as the boy who is always at a party, always with celebrities, always extremely opulently glamorous and ‘has everything easy', an image of the dream life drowning in immense happiness and privilege, never a worry in sight.” He went on to explain that there is more to his life than what people see online. “Nobody sees beyond that – the chaos, the struggle, the hustle, the hard work, the grit, and the days your head is literally locked in a box of rats. People think living a glamorous life means you've never faced hardship, but one cannot build resilience on fluff.” During his stint on the show, Orry participated in several challenging stunts and pushed himself through difficult tasks. Reflecting on his determination, he said, “You don't face your fears like this if your life was always easy and smooth sailing. I pushed to make it this far because I've fought through unpretty parts never meant for the feed, with nightmares fueling me to prove my grit beyond the grid,” he wrote. Orry also expressed gratitude for being part of Khatron Ke Khiladi 15, describing the experience as an opportunity to reveal different sides of his personality. “It has been an honour to participate in a 0 bias show that objectively brings out every single shade of who I actually am. The many many many shiny and sparkly parts as well as dead and damaged ones. Because that is also part of who I am.” Also Read : Orry keeps Salman Khan’s picture beside his bed; says the superstar gave his career a much-needed kick-sta



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Sharat Saxena shares standing MRI pictures ahead of lumbar spine surgery

Veteran actor Sharat Saxena, known for his memorable villainous and supporting roles in Hindi cinema, has shared pictures from an MRI session ahead of his upcoming surgery. The actor, who was recently seen in Ajay Devgn-starrer Son of Sardaar 2, posted four pictures from the MRI room on social media, prompting fans and well-wishers to express concern and wish him a speedy recovery.

Saxena shared the pictures shortly before undergoing surgery. The photographs show the actor undergoing an MRI while standing, with visible discomfort on his face.

Sharat Saxena undergoes MRI while standing

Sharing the pictures, Sharat Saxena revealed that the MRI was conducted ahead of his lumbar spine surgery. He wrote in the caption, “Standing mri before lumbar spine surgery at Bombay Hospital.”

Following his post, several fans and well-wishers took to the comments section to wish the veteran actor well and pray for his recovery. Saxena also responded to the messages and thanked everyone for their support. He wrote, “Thank you all for the good wishes. I hope I will be able to walk properly and work again. Thank you all.”

 

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Sharat Saxena’s film career

Sharat Saxena has been part of the Hindi film industry for several decades. After completing an engineering degree, he reportedly chose acting instead of pursuing a conventional career. Convincing his father to support his decision was initially difficult, but his family eventually accepted his choice.

Over the course of his career, Saxena has reportedly worked in more than 250 films across Hindi, Telugu, Malayalam and Tamil cinema. He appeared as Daga, one of Mogambo’s associates, in the 1987 film Mr. India.

He has also taken on a variety of roles, including comic characters and father figures. In Salman Khan’s Bajrangi Bhaijaan, he played Kareena Kapoor Khan’s father. He was also seen as Tota Seth in the Hera Pheri franchise, adding a comic element to the film. His other notable films include Tridev, Ghayal, Khiladi, Soldier and Baghban.



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Preity Zinta BREAKS SILENCE on Batwara 1947’s box office performance: “You can’t control what happens”

After several years away from the silver screen, Preity Zinta returned to acting with Rajkumar Santoshi’s Batwara 1947. The period drama, which also stars Sunny Deol, was released theatrically on August 14, 2026, during the Independence Day weekend. However, despite its ensemble cast and the significance of its subject, the film received decent-to-mixed reviews and did not make a significant impact at the box office.

Speaking exclusively to Mid-Day, Preity opened up about the film’s performance and whether its box office underperformance affected her. The actor maintained that she remains proud of the project and believes an actor can only control the effort they put into a film, rather than its eventual reception.

She said, "First of all, I am very proud of the film, and it's a very overwhelming experience. And as an actor, I am always managing expectations. Once I am working, I put in my 100 per cent. As I said earlier, I believe in karam (deed). You do your karam and then leave the rest to god. You can't control what happens. So, you work as hard as you can on every film; I give my 1000 per cent and then leave the rest to God."

 

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What is Batwara 1947 about? Directed by Rajkumar Santoshi, Batwara 1947 is set in Lahore during the Partition of British India. The film is adapted from Asghar Wajahat’s acclaimed play Jis Lahore Nai Vekhya, O Jamya E Nai and centres on a Muslim refugee family that moves from India to Lahore after Partition.

Sunny Deol plays the head of the refugee family, who is allotted a haveli in Lahore. However, the family discovers that an elderly Hindu woman, played by Shabana Azmi, continues to live in the house. The story explores how the two communities navigate their circumstances, while focusing on humanity, empathy and resilience amid the upheaval caused by Partition.

 

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The film features Preity Zinta, Sunny Deol, Shabana Azmi, Ali Fazal, Karan Deol and Abhimanyu Singh, who plays the antagonist Yaqoob Pehalwan. The music has been composed by A. R. Rahman, with lyrics by Javed Akhtar, while Santosh Sivan serves as the cinematographer.

Also Read: Preity Zinta on working 16-18 hour shifts for Vibe amid 8-hour workday debate: “I wanted to finish my work and go back to America to be with my kids…didn’t go out even for one evening”



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Birth Anniversary EXCLUSIVE: “Asha Bhosle aatya did a brilliant job as an actor in Mai,” recalls niece and veteran actor Padmini Kolhapure

Legendary singer Asha Bhosle passed away earlier this year on April 12 at the age of 92. Today happens to be her 93rd birth anniversary. She left behind a legacy which will be celebrated for eternity. But apart from singing thousands of songs in various languages, Bhosle also acted in the Hindi film Mai, where she played the titular role.

Interestingly, the movie starred Bhosle’s niece and veteran actor Padmini Kolhapure as her daughter. Kolhapure spoke about Bhosle and her experience of acting with her in an exclusive interview she gave Bollywood Hungama at the end of May this year.

Kolhapure shared why Mai means a lot to her. “Thanks to Asha aatya that I got my first film Ishq Ishq Ishq as a kid,” she said. “I came a full circle when I did Mai with her. We worked together. She said that she will only work in that film if Padmini is a part of it. We interacted so much. She was very close to my father. So, she would tell me all those wonderful stories of their young and masti days. So, whether it was her or Lata (Mangeshkar) ji, they would just keep telling me all those wonderful stories.”

She added, “It was great working with her. If you see the film, she has done such a brilliant job.”

Kolhapure said that Bhosle and Mangeshkar are always going to be immortal. “When I think of Asha aatya, so many things come to my mind. There’s not just, 1, 2, 20 or 50 things. When we say she is not with us, it just doesn’t seem real. The persona and work of Lata Mangeshkar and Asha Bhosle, who have been my aunts, has been so great that it’s just going to be there for eternity. For me, they are like living legends only because we still hear their songs every single day.”

Sharing an example, she said, “I met Ashutosh Gowariker recently and he said my mornings begin with Asha ji’s and night ends with Lata ji’s songs. He said that is there and that’s never going to change.”

Shortly after the passing away of Asha Bhosle, Bollywood Hungama spoke with Mahesh Kodiyal, the director of Mai, on his experience of directing the singing legend in her first and only film. After narrating how he cast Bhosle, he said, “At times, Asha tai used to feel how she would enact such an emotional scene. At that time, I used to ask Padmini to make her comfortable. She used to give a fantastic take. But still she didn’t used to be happy with it. She used to say, ‘Nahin re, maine barabar nahin kiya’. I used to say just that she did is a big thing.”

Also Read: EXCLUSIVE: Mahesh Kodiyal on approaching Asha Bhosle to act in Mai, “She looked sternly and asked, ‘Gana gaane bulaya tha na?’”; director also shares why it wasn’t challenging for the late legend to act



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Bigg Boss 20 premiere: Priyanka Chopra Jonas warns contestants as Mary Kom enters Salman Khan-hosted show; says, “Inka knock out na bhot bhari padta hai”

Boxing champion Mary Kom has entered the Bigg Boss 20 house, and she received a special message from Priyanka Chopra ahead of her new reality show journey. Priyanka, who portrayed the boxing legend in the 2014 biographical film Mary Kom, wished her luck while also giving the other contestants a playful warning.

In a video message, Priyanka spoke about Mary’s discipline and competitive spirit before addressing the contestants. “Inka knock out na bhot bhari padta hai,” she said, reminding them that the boxing champion is not someone to be taken lightly.

Priyanka then addressed Mary directly and encouraged her to stay true to herself during her time on the show. “Mary bas aap jaisi hain waisi rahiye, khule dil se kheliye. I am so looking forward to your journey.”

The actress also sent Mary lots of love and said she was looking forward to seeing how her journey unfolds inside the Bigg Boss house. Priyanka Chopra and Mary Kom’s connection Priyanka and Mary share a connection that dates back to the making of Mary Kom. Directed by Omung Kumar, the 2014 film was based on the life of the six-time world champion boxer, with Priyanka taking on the lead role.

While preparing for the part, Priyanka met Mary and spent time with her family in Manipur. She also underwent extensive boxing training and worked on understanding Mary’s mannerisms and personality. Mary’s involvement in helping Priyanka understand her life added a personal dimension to their association.

More than a decade after the film's release, Priyanka’s message for Mary marks another public moment between the actor and the sportsperson, this time as Mary begins a very different kind of challenge on Indian television.

 

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Mary Kom joins Bigg Boss 20 Mary is among the contestants participating in the ongoing season of Bigg Boss 20. The season features a mix of actors, television personalities, digital creators and other public figures.

The current line-up includes Mahhi Vij, Kanika Mann, Amrapali Dubey, Aasif Khan, Qazi Touqeer, Kushal Tanwar, Arishfa Khan, Isha Rikhi, Rhiti Tiwari, Yung Dsa (Yeda Yung), Aman Gandhi, Uditi Singh, Rohed Khan and Love Gill.

Bigg Boss 20 airs on Jio Hotstar at 9 pm, while the television broadcast is available on Colors TV at 10.30 pm.

Also Read: Bigg Boss to premiere across six languages on the SAME NIGHT as franchise marks 20 years



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Masaba Gupta calls Bipasha Basu “last of the OGs,”; her muscle remarks draw attention to Mrunal Thakur’s old statement

Masaba Gupta has praised Bipasha Basu after the actress featured as Elle India’s Digital Cover Star, calling her one of the last original stars of her generation. However, a portion of Masaba’s post has caught the attention of social media users, with several interpreting her comments about Bipasha’s muscular physique as an indirect response to remarks previously made by Mrunal Thakur.

Re-sharing a post featuring Bipasha, Masaba wrote, “I am very happy to see Bipasha on a cover. You see, she is the last of the OGs.” She went on to praise the actress for standing apart from what she described as increasingly similar beauty and fashion standards.

“There won't be another Bipasha because everything is a cookie cutter template today,” Masaba wrote. She also compared Bipasha with actresses from the current generation, describing some of them as “boring and dull” and saying that the present generation “does not inspire one bit of confidence.” Masaba Gupta’s comment about Bipasha’s physique goes viral Masaba’s remarks about Bipasha’s fitness, however, became the most discussed part of her post. Praising the actress for her athletic build, she wrote, “And @bipashabasu- I love your athletic build. I love the muscle- and I want more thanks to the standard of fitness you set.”

She added, “Too bad if someone doesn't see that as feminine.”

While Masaba did not mention Mrunal Thakur by name in the post, her reference to Bipasha’s muscular physique led some social media users to connect the remarks with an old interview featuring Mrunal. Why are netizens linking Masaba’s post to Mrunal Thakur? The conversation stems from a throwback interview from Mrunal’s television days, when she appeared alongside her Kumkum Bhagya co-star Arjit Taneja. During a discussion about fitness and the kind of physique one might prefer in a partner, Mrunal referred to Bipasha and said, “Do you want to marry a girl who is manly with muscles? Go marry Bipasha. Listen, I am far better than Bipasha, ok.”

The clip resurfaced online in 2025 and drew criticism, with several social media users accusing Mrunal of body-shaming Bipasha. Later, Mrunal issued an apology for body-shaming Bipasha.

Also Read: Mrunal Thakur issues heartfelt apology over resurfaced Bipasha Basu comment: “I truly wish I had chosen my words differently”



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“HUGE fan of Shankar-Jaikishan, R D Burman, Bappi Lahiri etc but they also lifted songs; Sholay's 'Mehbooba' was inspired…agar aap original composer ka naam daal dete, toh aapke shaan mein koi kami nahin aati” – Adnan Sami

Komal Nahta had a conversation with Adnan Sami, in which he gave a detailed answer about plagiarism in music. He began by saying, “I am against plagiarism in any form. But I feel bad for the composers who emerged in this millennium; they have been unfairly targeted. If you are only criticizing them for copying and forgiving the rest, that is unfair. In the last 20 years, there has been a lot of access to information thanks to the internet. So, if a composer gets ‘inspired’ and composes a tune, he gets immediately caught.”

Adnan continued, “Some people tend to hail our yesteryear musicians. They’d say ‘Woh toh kaafi genius log the’. And there’s no doubt that they were indeed geniuses. I am their biggest fan. But what happens is that a child may think that his father is a superhero. When the child grows up, he realizes that mera baap jo hai, aakhir woh insaan hai. You still respect him because he’s your father. Hence, you can’t single out new composers and assume that the rest were doodh ke dhoole hue.”

Adnan confessed, “Whether it's Shankar-Jaikishan, Naushad, S D Burman, R D Burman or Bappi Lahiri, I am their biggest fan and have learned a lot from them. But each one of them lifted songs. Yet, I still love and respect them as they made a beautiful version of that song.”

Adnan Sami remarked that the composers should have given due credit, “Dean Martin’s famous song ‘Sway’ was inspired by an Italian song. But he gave credit to the original composer. Our problem is that our composers did not. They just gave their own name to the track, without acknowledging the original creator. Aap kahin se chhote nahin ho jaate by acknowledging.”

Adann continued, “Even today, I enjoy the song ‘Mehbooba’ from Sholay (1975). But it's not R D Burman’s original composition. It was inspired by Demis Roussos’ song ‘Say You Love Me’. Agar aap Demis Roussos ka naam daal dete, toh aapke shaan mein koi kami nahin aati (smiles). People would have respected you more if you gave due credit. Later, the same happened with them as well and they felt about it.”

He added, “This happened even with films. Kaala Patthar (1979) is a great film, but it was originally Gold (1974), featuring Roger Moore (smiles).”

Also Read: Adnan Sami opens up about reinventing in music: “It’s always important to keep changing and evolving”



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Hand chains are back! Rashmika Mandanna, Sonam Kapoor, Shanaya Kapoor and more show how to style the trend!

There is something entirely royal about hand chains, those that are making a strong comeback now. Whether in western or traditional outfits, hand chains are becoming a staple accessory, adding a statement touch to both basic outfits or elevated ones. And Bollywood is defining this comeback trend once again! Take a look:

Diana Penty: Diana Penty elevates a ribbed saree with contemporary, minimal jewellery, where the dainty golden hand chain with minimal charms places itself as a scene-stealer.

 

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Sonam Kapoor: Sonam Kapoor brings a royal touch to her ensemble by donning an embellished, encrusted hand chain with multi-coloured gems and floral patterns, leaning heavily to the ethnic side.

 

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Shanaya Kapoor: Shanaya Kapoor makes her ethnic ensemble even more dazzling by donning a silver hand chain with beaded patterns that make it a standout.

 

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Rashmika Mandanna: Rashmika Mandanna brings golden power to her ensemble by donning a golden hand chain with stacked beaded patterns, bringing contrasting styles to the accessory and her ensemble.

 

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Manushi Chhillar: Manushi Chhillar taps into golden aesthetics by donning a dramatic hand chain that aligns with the mood of her overall jewellery.

 

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Handchains are making a comeback, and these actresses are leading the trend.

Also Read: Kroll Celebrity Brand Valuation 2025: Nearly half of the Top 25 are actresses; no South male star in rankings



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Director Oni Sen on making Operation Safed Sagar: “We wanted the audience to feel the grit, the danger and the raw physics of combat”

Making Operation Safed Sagar was not simply a matter of recreating the 1999 Kargil War on a large scale. For director Oni Sen, the challenge was to make the audience believe what they are watching might have actually happened. And that meant pushing the production far beyond conventional filmmaking.

So how did they achieve it? By simply keeping it real, says Sen. “We wanted the audience to feel the grit, the danger, and the raw physics of combat. Every visual choice had to be rooted in ground truth,” the director says to Bollywood Hungama. “So, when it came to conceptualizing and executing our sequence architecture, whether complex aerial action scenes or high-stakes ground engagements, my discussion with our cinematographer, Setu (Satyajit Pande) and the entire VFX team was simple: 'Let's keep it real.’”

That philosophy shaped everything from the way aircraft were filmed to the texture of a cockpit and even the movement of sunlight at 30,000 feet. “Setu and our visual effects team executed it with extraordinary craft. They seamlessly blended practical footage with visual effects, creating a unified visual language where, while we stayed 'real,' we managed to make our viewers 'feel,'" Sen adds.

The ‘make it real’ rule was approached even to bring the aerial action to the screen, which is inherently difficult to dramatize because much of it happens at enormous distances and incredible speeds. Every ground scene involving jets, including actual taxiing, takeoffs, and landings, featured real aircraft on real airfields. For the high-octane flying sequences, the makers developed exhaustive animated previsualisation scenes that were reviewed and approved by aviation experts.

“To capture the raw physical intensity inside the cockpit, our production design team built a photorealistic MiG-21 cockpit,” reveals the director. “We mounted this cockpit onto a high-grade motion base, custom-programmed to mimic the exact motion of the aircraft based on our previous sequences. We synchronized this with programmable lighting rigs that dynamically simulated shifting sunlight as the jet maneuvered through the sky.”

Actors also underwent rigorous training under the guidance of active fighter pilots. They learned the physical strain of flying, breathing techniques, and operational controls to make their performance convincing. Preparing the cast was an extensive journey in itself. Several of them had the profound privilege of meeting directly with the actual individuals or their families, while for characters based on political figures or Pakistani leadership, where direct access wasn't possible, the makers established an exhaustive archive of archival video footage, news broadcasts, and historical records.

“Historical research was only the foundation. I worked closely with each actor to map out their character’s emotional graph across the entire series, carefully calibrating their psychological trajectory from scene to scene,” adds the filmmaker.

Operation Safed Sagar was an exceptionally ambitious production from its inception. Long before Oni Sen came on board as a director, its showrunner Abhijeet Singh Parmar and his dedicated research and writing team had spent a few years laying a rock-solid foundation. They didn't just study the details of the IAF’s role in the Kargil war; they absorbed the lived reality of IAF pilots — their interpersonal dynamics, their subtle behavioural traits, their daily routines, and the intricate science of combat flying. Every page of the script was meticulously examined by Air Force consultants, including decorated veterans who had personally flown missions during the actual operation.

Every single day on set meant coordinating with actual fighter jets, transport aircrafts, attack helicopters, ordnance, and complex radar systems. To ensure absolute precision, the makers worked hand-in-hand with IAF technical experts and consultants who guided every move on the tarmac.

“From day one, our team carried a deep sense of responsibility to respect the history we were bringing to life. We were exceptionally fortunate that the Indian Air Force placed their trust in us, graciously opening their doors and granting us unprecedented permission to film within real and active Air Force installations,” Sen signs off.

Created by Abhijit Singh Parmar and Kushal Srivastava, and starring Siddharth, Jimmy Shergill, Abhay Varma, Dia Mirza, Mihir Ahuja, Adil Hussain and Prajakta Koli, Operation Safed Sagar is streaming on Netflix India.

Also Read: The Making of Operation Safed Sagar: How director Oni Sen turned a war epic into an intimate human story



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Amitabh Bachchan reveals Saif Ali Khan’s family connection with him on KBC, Kareena Kapoor is the link: “Raj Kapoor’s daughter Ritu Kapoor’s son, Nikhil Nanda, is married to my daughter, Shweta Bachchan”

The Hindi film industry is known for its interconnected film families, with several prominent surnames sharing both professional and personal ties. From the Kapoors and Bachchans to the Salim Khan, Allu, Konidela, Akkineni and Daggubati families, relationships between members of different film clans have often brought them closer. A similar connection between Amitabh Bachchan and Saif Ali Khan came to light during a recent episode of Kaun Banega Crorepati (KBC).

Saif Ali Khan and Akshay Kumar appeared together on the popular quiz show to promote their upcoming crime thriller Haiwaan, directed by Priyadarshan. During the episode, host Amitabh Bachchan revealed a family connection between himself and Saif, leaving both actors surprised.

Amitabh Bachchan explains his connection with Saif Ali Khan

While speaking to Saif, Amitabh Bachchan said, “Many people don’t know this, but he is related to me.” Saif appeared surprised and responded, “Me?” Akshay Kumar was also taken aback by the revelation.

Explaining the connection, Amitabh said, “Raj Kapoor’s daughter Ritu Kapoor’s son, Nikhil Nanda, is married to my daughter, Shweta Bachchan.”

The connection stems from Saif’s marriage to Kareena Kapoor Khan. Kareena is the daughter of Randhir Kapoor and Babita, and Randhir is Raj Kapoor’s son. This makes Kareena and Nikhil Nanda first cousins, linking Saif’s family with the Kapoor family through marriage and, consequently, creating a connection with the Bachchan family.

Amitabh then added a humorous question, saying, “So, now I want to know, how should I address Kareena? What will Kareena call me?” Saif responded with a witty remark: “Thank god that’s not a question (on KBC screen),” leaving Amitabh and Akshay laughing.

Amitabh and Kareena have previously worked together in films including Kabhi Khushi Kabhie Gham (2001), Dev (2004) and Satyagraha (2013). He has also shared the screen with Saif in Eklavya: The Royal Guard (2007) and Aarakshan (2011).

About Haiwaan

Directed by Priyadarshan, Haiwaan also stars Boman Irani, Shriya Pilgaonkar, Saiyami Kher, Rajpal Yadav, Sharib Hashmi, Rajesh Sharma, Pahal Chaudhary and Manoj Joshi in key roles. The film is a remake of Priyadarshan’s 2016 Malayalam film Oppam, which starred Mohanlal in the lead role.

The upcoming crime thriller features music by Pritam, cinematography by Divakar Mani, production design by Sabu Cyril and editing by Aiyappan Nair MS. Haiwaan is scheduled to release worldwide on Friday, September 11.

Also Read : Adnan Sami shares WILD Amitabh Bachchan studio story: “We got bedsheets, kept the speakers on and recorded him live…this was NEVER done before”



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Arshad Warsi on his small role in Shah Rukh Khan’s King: “I love the Khan family, so I did it”

Shah Rukh Khan’s upcoming film King continues to generate considerable buzz, with the Siddharth Anand directorial bringing together an impressive ensemble cast. The action entertainer stars Shah Rukh Khan in the lead and features Deepika Padukone, Rani Mukerji, Abhishek Bachchan, Suhana Khan, Raghav Juyal and Arshad Warsi, among others. In an exclusive conversation with Filmfare, Warsi opened up about his association with the highly anticipated project and revealed details about his role.

According to Warsi, his part in King is relatively small. However, the limited screen time was never a concern for the actor when he was approached for the film. Instead, his fondness for Shah Rukh Khan and his family played a major role in his decision to come on board.

Warsi has already shared a professional connection with the Khan family. He previously worked with Shah Rukh’s son Aryan Khan on his debut show, The Ba**ds of Bollywood*. Recalling how he responded when both Aryan and Shah Rukh approached him for their respective projects, Warsi explained that his affection for the family made the decision easy.

“In King, I have just got a little role. I love the Khan family. When Aryan called me up for The Ba***ds of Bollywood, I did it. When Shah Rukh called me up for King, I did it. It is a small bit that I have done. I just like them. So I did it,” Arshad told Filmfare.

Directed by Siddharth Anand, King is produced by Red Chillies Entertainment and Marflix Pictures. The film is scheduled to hit theatres on December 24, 2026.

Meanwhile, Warsi has several projects in the pipeline. He will next be seen in Jeevan Bheema Yojana, a dark comedy in which he plays a double role. He will also feature in Tigmanshu Dhulia’s Ghamasaan, which is set to premiere on ZEE5 on September 11. Additionally, the actor has Golmaal 5 lined up, although its release date is yet to be announced.

Also Read : Jeevan Bheema Yojana Trailer: Arshad Warsi plays a double role as Sanjeeda Shaikh starrer dark comedy promises crime, chaos and suspense



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Sunita Ahuja urges Bollywood to contribute to Nepal flood relief; says, “Nepal is my matrabhoomi”

Govinda’s wife Sunita Ahuja has expressed concern over the devastating floods in Nepal and urged members of the Bollywood fraternity to come forward and support those affected by the disaster. Although Sunita was born in India, she shares a close connection with Nepal through her family, as her mother and grandmother are from Kathmandu.

Speaking to Bombay Times, Sunita opened up about her emotional ties to the neighbouring country and the impact of the recent flash floods in the Nepal-Tibet region. She also recalled her family’s annual tradition of visiting Nepal during the New Year and seeking blessings at the Pashupatinath Temple.

She said, “It is heartbreaking to see such devastating floods hit Nepal. I wasn’t born there, but my mother and grandmother are from Kathmandu. I visit Nepal every year with my daughter for the New Year. On January 1, we make it a point to visit the Pashupatinath temple and begin the year with his blessings.”

Sunita further revealed that she is trying to find a reliable channel through which her financial contribution can reach people directly affected by the floods. She said, “I am trying to connect with someone who can ensure that my donation reaches the right people. I would like to donate as much as I can because they are very close to me, and Nepal is my matrabhoomi. I request everyone in the industry to come forward and contribute towards helping the people of Nepal.”

Sunita also spoke about actor Manisha Koirala, whom she considers a sister. She expressed confidence that Koirala is also doing her part to help people affected by the devastation.

Meanwhile, Manisha Koirala recently addressed Sadhguru’s ‘In Solidarity with Nepal’ event in Kathmandu. She appealed to the international community to support Nepal by visiting the country and helping revive tourism, which she described as essential for local livelihoods.

According to reports, Nepal’s death toll had risen to at least 904, while more than 4,000 people were still reported missing.

Also Read : Sunita Ahuja withdraws divorce case against Govinda, visits Mumbai family court with son Yashvardhan



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Aishwarya Rai Bachchan poses with brother Aditya and family in unseen Raksha Bandhan photo

Aishwarya Rai Bachchan celebrated Raksha Bandhan with her family this year, and an unseen picture from the festivities has now surfaced online. The photo was shared by her sister-in-law Shrima Rai and offers a glimpse into the private family celebrations.

In the picture, Aishwarya is seen posing with her brother Aditya Rai, sister-in-law Shrima and their children. Aishwarya's mother, Vrinda Rai, is also part of the family photograph. Her daughter Aaradhya Bachchan can be seen alongside her grandmother and cousins. Aishwarya Rai Bachchan celebrates Raksha Bandhan with family The photograph features Aditya and Shrima's sons, Vihaan and Shivansh, as they pose with the family. Aaradhya is seen sharing a moment with her grandmother and cousins, adding to the family-focused glimpse from the celebrations.

Shrima had also shared a few other pictures from the Raksha Bandhan festivities two days earlier, giving followers a closer look at the family's celebrations.

Aishwarya has maintained a close relationship with her brother Aditya over the years. While the actor generally keeps her personal life away from the spotlight, she has occasionally been seen spending time with her brother and his family. Who is Aishwarya Rai Bachchan’s brother Aditya Rai? Aditya Rai has reportedly worked as an engineer in the Merchant Navy and has also been associated with the film industry as a producer.

He co-produced the 2003 romantic drama Dil Ka Rishta, which featured Aishwarya in the lead role alongside Arjun Rampal and Priyanshu Chatterjee. The film was directed by Naresh Malhotra and its story was co-written by Aishwarya and Aditya's mother, Brinda Rai.

Also Read: Aishwarya Rai Bachchan dazzles in pearl-encrusted Tony Ward Couture masterpiece; unseen Cannes 2026 look reveals 600 hours of craftsmanship



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Subhash Ghai recalls fallout with Salman Khan before Yuvvraaj; says, “Salman was high, we had a scuffle, then his father scolded him”

Subhash Ghai has opened up about his past fallout with Salman Khan and revealed how the actor’s father, veteran screenwriter Salim Khan, intervened after the two had a scuffle. Ghai recalled the incident while discussing his collaboration with Salman in the 2008 film Yuvvraaj.

According to Ghai, his professional association with Salman came after an unpleasant incident at a party. The filmmaker said that Salman was under the influence of alcohol during the gathering when an argument broke out between them. The disagreement escalated into a physical altercation, but the matter was eventually resolved after Salim Khan stepped in.

“Before the film, we had a fight. Hatha paai hui (we had a scuffle). Then his father scolded him,” Ghai recalled in a recent interview with Times Now.

Explaining the circumstances, Ghai said, “We were at a party. Salman was high. He was saying something wrong when I told him, ‘Don’t say that.’ He had some issue with me. He asked me, ‘Why did you do this or that?’ I said it is my decision as a director. He started abusing [me], I asked him not to do that. We had a spat there.”

Ghai revealed that Salim Khan contacted him the following morning and told him that he had reprimanded his son. He then sent Salman to the filmmaker’s home to apologise.

“The very next morning, Salim saheb called me and told me that Salman told all of these things to his mother. He said, ‘I have scolded him.’ He sent Salman to my house to apologise to me. And he came. He politely apologised, after which I fell in love with him because he respected his father so much. I let go of that issue. We often visited each other. After that, we did a film together,” Ghai recalled.

Their reconciliation eventually led to Yuvvraaj, which also starred Anil Kapoor and Katrina Kaif. However, the 2008 film did not perform strongly at the box office.

Ghai has also spoken positively about Salman’s personality in the past, saying, “Salman Khan never gets nervous no matter what. No matter the number of crises and problems in his life, he might become sad, but never nervous.”

The filmmaker further recalled Salman’s decision to stay away from media interviews during Yuvvraaj promotions. Salman had explained, “If you are saying, I will do it, but I usually don’t because media interviews expect us to be politically correct. And if I end up uttering something incorrect about the film, people or myself, it will become a huge controversy. I am happy alone and I like to stay away from the media.

Also Read : 40 Years Of Karma: Subhash Ghai reflects on the film’s lasting legacy



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EXCLUSIVE: Akshay Oberoi goes the Aamir Khan way; Shah Rukh Khan’s King marks his THIRD Christmas release; makes a STUNNING revelation: “My emotional monologue in Love Lottery is 6½ minutes LONG”

Akshay Oberoi’s big-budget film, Toxic, finally released in cinemas on August 26. At the film’s trailer launch, held in Bengaluru on August 8, the actor was seen sporting long hair. However, of late, he has gone back to a short haircut. In an exclusive interview with Bollywood Hungama, Akshay revealed the reason behind the change in look and spoke about his upcoming projects and a lot more.

Akshay Oberoi said, “I had signed up for a lovely period film. It’s set in a village during the pre-Partition era. I really loved the script. The character required me to have hair like that; he belongs to a tribe whose members have had long hair for generations. I loved the script so much that I immediately started growing my hair. I was clear that I didn’t want to wear a wig. But for some reason, the film’s funding fell through. It was heartbreaking for all of us. But maybe it’ll happen one day. Meanwhile, season 4 of Aashram is coming. Hence, I cut my hair and I’m off to shoot for it.”

When does the much-watched web series’ fourth season go on floors? Akshay replied, “I believe Aashram went on floors just a few days back and I am joining very soon, early next week.”

After Toxic, Akshay Oberoi is now looking forward to another biggie, King, co-starring superstar Shah Rukh Khan. It releases on December 24. Interestingly, King would be his third Christmas release, the other two being his debut film Isi Life Mein (2010) and Kisko Tha Pata (2024).

When pointed out, Akshay was pleasantly surprised. He said, “Oh yes. My debut film came on Christmas. I had forgotten that Kisko Tha Pata also released on December 24. And now King is also coming on the same day!”

Aamir Khan has had the most Christmas releases, and Akshay Oberoi seems to be following in his footsteps. The actor laughed out loud and remarked, “Oh, I love it. This is too good! What a comparison, man. I’ll take it!”

He then stated, “Thanks for pointing it out. It’s so interesting. I would have definitely not made that connection because these are two different times in my career, as in when I did the first film vis-à-vis where I am right now. It’s funny and interesting to see the whole journey full circle like that. Moreover, King is a film with Siddharth Anand. It’s my second film with him (after Fighter; 2024) and my third project with him (the web series Flesh was written by Siddharth Anand). He’s the one who put me on a map for the mainstream audience. In life, so many coincidences take place that you have to believe in a higher power and accept that we are not in control.”

When asked about King, Akshay Oberoi said, “All I can say is that Siddharth Anand and Mamta Anand are like family to me. I got to reunite with my family, that too on their biggest film. Until my last breath, I’ll repay in whatever way possible for what they have given me. I love them as human beings. I have done a small part, in whatever way I could, to be a part of this humongous, highly anticipated film that my brother and mentor, Lord Siddharth Anand, has made. And he’s indeed a Lord!”

He added, “I badly wanted to be in this film because I wanted to be a part of this big thing that someone I love was making.”

In between Toxic and King, Akshay Oberoi’s film, Love Lottery, will release in cinemas on September 18. The teaser features his emotional voiceover and leaves an impact.

Akshay Oberoi revealed, “It’s a part of a monologue which goes on for 6 ½ minutes. It’s a small film; there was not much of a budget. So, I had to nail that monologue fast. You saw a glimpse of that in the teaser; you’ll hear more of it in the trailer, which comes out soon.”

Love Lottery seems to be very topical and relevant. Akshay agreed, “Indeed. When I read the script, I told myself, ‘I don’t know what the fate of the film would be. However, I want to be a part of it because it deals with a burning topic’. I am all for women empowerment. Men have done a lot of s**t. But now we are in a place where men also need a voice. There should be someone who speaks about men’s rights. I guess that’s why these masculine films are also doing well. Hence, this is an attempt to do something different. The character that I play is a very vulnerable hero. As the tagline says in the poster, he’s a man framed by love. The caption is so apt.”

Also Read: Akshay Oberoi credits Geetu Mohandas’ 13-year-old daughter for his Toxic casting: “Geetu saw Fighter at daughter’s insistence, liked my performance…”; reveals he was asked to perform The Godfather dialogue for audition



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Adnan Sami THUNDERS: “Earlier, there were 80% originals, 20% remixes; now it’s the OPPOSITE”; compares it to feeding ‘sookhe chawal’: “Public is consuming it as you’re not serving them biryani”

Komal Nahta had a conversation with Adnan Sami, during which the latter spoke strongly against the growing trend of remixed songs. Adnan Sami began by saying, “It is always lovely to revive an old song. In my opinion, the ratio should be 80-20, with 20 being the remixed songs. That’s how it was before. But now, it’s 20-80 (laughs)!”

Adnan then stated, “One word that would define this is khauff. The corporates are scared to experiment. It is happening even in cinemas. Remakes are attempted, sequels are made; even prequels are planned! Off-shoots bhi chal rahe hain. First, they made Batman. When they exhausted that character, they decided ‘Joker banate hai’! You see, these are all very safe subjects. The Odyssey recently released; pehli dafa toh yeh nahin ban rahi hai na?”

He added, “Even in our cinema, franchises are made as they are safe. Earlier, such things were very rare. Star Wars and The Godfather had sequels. But this was not a regular thing. The same is happening in music. They come across a super-hit song from the 70s, 80s or 90s. They know it’s a sure-shot success. So, they decide ‘Mukhda wohi rakh dena, antara change kar dena’!”

Adnan Sami continued, “When you ask record labels that ‘aap yeh (remix) kyun kar rahe hain’, they reply, ‘Because public chahti hai’ (smiles). However, the thing is that if a man is hungry and you present him with sookhe chawal, toh woh uspe toot padega. And if you ask someone ‘why you are feeding him sookhe chawal’, he’d reply ‘Yehi toh woh chahta hai. Dekho kitne maze se woh kha raha hai’! But he’s savouring it as you didn’t serve him khichdi or biryani.”

Adnan Sami opined, “What saddens me is that every generation call certain songs their own. My father used to say ‘Dheere Se Aaja Ri Ankhiyan Mein’ mere waqt ka gaana hai. I would feel the same for ‘Chura Liya Hai’. The ones who grew up in the 90s would feel a sense of belonging for the songs of say, Aashiqui (1990). But which song would this generation consider their own? After all, you have mostly presented recreated versions to them.”

He also said, “We often blame music composers for remixes. But the reality is that those poor music directors are asked to come up with recreated versions. Kya woh dil se bana rahe hain? I can give you in writing that no music director ever dreamed as a child that he would grow up and work on remixes. So, don’t blame them; blame those who zabardasti make them do it."

Also Read: “Felt very bad making fun of Subodh,” says Saif Ali Khan at Dil Chahta Hai Reunion; Sonali Kulkarni recalls the actor’s obsession with punctuality even on set



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“Felt very bad making fun of Subodh,” says Saif Ali Khan at Dil Chahta Hai Reunion; Sonali Kulkarni recalls the actor’s obsession with punctuality even on set

The Dil Chahta Hai Reunion happened on August 28 at a suburban hotel in Mumbai. It was organized by Amazon Music and We Are Yuva. The event saw almost the entire team of the film – Aamir Khan, Saif Ali Khan, Dimpla Kapadia, Sonali Kulkarni, Farhan Akhtar, Ritesh Sidhwani, Javed Akhtar, Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa – get nostalgic on its 25 iconic years.

One of the funniest aspects about Dil Chahta Hai was the character Subodh and his obsession with time tables and punctuality. However, in recent times on social media, fans have started expressing their admiration for Subodh with some also referring to him as a ‘Green Flag’. The character was the boyfriend of Sonali Kulkarni’s Pooja. Interestingly, Subodh was played by Farhan Akhtar’s friend Asad Dadarkar, who is like the same person in real life.

When Subodh’s topic was introduced during the conversation at the reunion, Sonali Kularni said, “I think Subodh added a fantastic flavour to the whole relationship. Having said that, Subodh, is Farhan’s dear friend. He didn’t actually act. I remember he was like that (in real life too). He came on the set and he said, ‘It’s 9 O’clock, I will start shooting’.” The last sentence sent a wave of laughter among the crowd.

To this, Farhan joked saying, “Actually, we had invited him to come for this event. He was here at 6 (pm) but then he left as it didn’t start (on time).”

Dil Chahta Hai eventually saw Saif Ali Khan’s character Sameer falling for Pooja and the two becoming a couple. The host asked Saif what he thought of Subodh. The actor said, “Oh, he is a great guy,” much to the laughter of the crowd. He added, “I felt very bad making fun of him. But that’s the job.”

Directed by Farhan Akhtar and produced under the banner of Excel Entertainment, Dil Chahta Hai also featured Preity Zinta and Akshaye Khanna. The two actors couldn’t attend the reunion.

Also Read: Aamir Khan slept 8 hours at Farhan Akhtar’s place after hearing 1st half of Dil Chahta Hai; filmmaker recalls, “He said, ‘I just need 15-minute power nap’”



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EXCLUSIVE: Akshay Oberoi credits Geetu Mohandas’ 13-year-old daughter for his Toxic casting: “Geetu saw Fighter at daughter’s insistence, liked my performance…”; reveals he was asked to perform The Godfather dialogue for audition

Akshay Oberoi impressed the audience with his short but impactful performance in Yash-starrer Toxic. In an exclusive interview with Bollywood Hungama, the talented and dashing actor spoke about his experience of working on the film a lot more.

Toxic is your biggest film to date. What are your thoughts now that it has finally released in cinemas? You said it yourself. It’s the biggest film I have done. It has opened me up to an audience that didn’t know me. There’s a chunk of cinemagoing audience in the South that are probably discovering my work for the first time. Across the country, the film probably must be playing in around 12,000-13,000 screens. Also, the box office number on the day of release has been astronomical. Some films do such numbers in their lifetime and they are called successful. Hence, it’s been very cool to be a part of that experience. It was also lovely to be on the promotional tour. I am grateful to Boss (Yash) and Geetu Mohandas that they even invited me to come, celebrate and promote the film across the country. It was super-fun (smiles).

Before Toxic, Geetu Mohandas had made small-budget films like Liar's Dice (2013) and Moothon (2019). Did you ever imagine that Toxic was going to be a big-scale production when it was offered to you? Well, we are all plugged into the business. Hence, I knew that Geetu Mohandas was doing a film with Boss. Once I found out that the film being offered to me is directed by her, I knew what the film was. Udti-udti khabarein suni thi maine ki aisi koi film ban rahi hai. As a result, I knew the scale of the film a day before she was going to call to offer me the film. In my mind, it was already a yes. It was not like main baat karunga aur fir main sochunga. I was sure I’ll give my nod for the project.

At the Toxic trailer launch in Bengaluru, you revealed that you were told to mouth a dialogue from The Godfather (1972) as part of your audition… Yes. She saw my film Fighter (2024), after which she got in touch with me. It's all thanks to her 13-year-old daughter, by the way! Geetu’s meeting had got cancelled and she was free. Her daughter insisted that she wanted to see Fighter. She agreed. She saw me in Fighter, liked my performance and sourced my number.

She told casting director Yash Nagarkoti that ‘I know how he acts in Hindi, but I want to see how he acts in English’. Hence, I was asked to send an audio of me speaking an English dialogue. I agreed and asked Yash Nagarkoti which scene I should perform. He told me to mouth a dialogue of Moe Greene’s character from The Godfather.

However, instead of simply sending an audio clip, I wore a suit, did my hair, performed the entire scene on camera and sent it to her. She told me she hadn’t expected that. I replied, ‘I was getting a chance to act in front of you. I wasn’t going to miss that opportunity. Audio bhej ke kya karta main? If I had a chance to make you watch me act, I thought I should put it on tape and do it in the best way possible.’

That’s how I bagged the part. It’s the film where I probably learned the most, including about the business of cinema. There were so many big stars and hence, it was a complete learning graph.

Was your death scene the most difficult one? Yes. Having said that, I don’t ever view acting like a difficult thing. It’s a joy. Getting a scene like that was so much fun. Of course, I am crying and screaming in that sequence. But I never find acting a burden and I am not like, ‘Oh, I have to do such a scene aur isliye main 4 ghante soch raha hoon’. I go with the flow and be in the moment. I work a lot on the character, like who the guy is, what he is after, where he has come from etc. I also make sure that I know my lines very, very well. Then, you surrender to the moment. You have fun.

Similarly, after completing that day’s shoot, I didn’t go home thinking, ‘Oh, what a difficult day. Thank God, it’s over.’ Instead, I was sad because the best scene I had in the film, the one where I got to do the most acting, was over!

Were you shocked reading the twist in the climax of Toxic when the film was offered to you? No, as we were only narrated until where we were in the film. Nobody knew the rest of the script! As time went on and because I got close to Geetu and Boss, I was able to roughly figure things out.

You addressed Yash as ‘Boss’. Since when are you doing that and how did it start? It’s a title given to him by his ardent fans who know him since the beginning of his career. Later on, he got the tag of ‘Rocking Star Yash’. However, the ‘Boss’ title predates the ‘Rocking Star Yash’ tag. And the title is apt because he is a boss. Everyone on the set and the people working for his production house, Monster Mind Creations, also call him Boss as he’s such a leader. Toh woh dil se cheez nikalti hai. I just can’t call him ‘Yash sir’, it has to be ‘Boss’.

Seeing him exposed me to so many things about my own career. I realized I am running behind big producers and directors. I guess doing so is important as well. But this man has believed in himself and invested in himself. Of course, he’s an actor par excellence, but he has learned every department of filmmaking – from lighting and editing to screenplay, distribution, production design and practically every other aspect of the craft. He’s curating his own content and carving his own path. He’s not waiting for anybody. The problem of an actor is that we wait for that one phone call that would change our lives.

Hence, when I saw him, I realized that there’s a whole different way of achieving your dream. This is the reason people like Yash are called path-breakers. When I saw that, it made me realize that mere andar yeh cheez nahin thi. But now I have imbibed the quality from him and you’ll see me implementing it big time in the next few years. I don’t know exactly when, but I know how. For that reason, I have to call him ‘Boss’. I have given him that place in my mind and heart as he’s that for me.

Also Read: Akshay Oberoi says he feels “fortunate” to join Geetu Mohandas’ female-led cast in Toxic



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Drishyam The Conclusion: Makers of Ajay Devgn starrer drop new poster as they kick off countdown for film releasing on October 2

Ajay Devgn is set to return as one of his most memorable characters, Vijay Salgaonkar, with the much-awaited Drishyam The Conclusion. The third instalment of the Hindi crime thriller franchise is scheduled to release theatrically on October 2, 2026, promising to take forward the gripping story of Vijay and his family.

The makers recently dropped a poster confirming the release date with a powerful statement that captures Vijay’s central motivation: “Sahi ya galat, jo bhi ho... main apni family ke liye kisi bhi hadh tak ja sakta hoon (Whether it is right or wrong, whatever it is…. I can go to any extent for my family).” The announcement once again puts the spotlight on Vijay Salgaonkar, a man willing to cross every line to protect his loved ones.

Presented by Star Studio18, Drishyam The Conclusion is a Panorama Studios production directed by Abhishek Pathak. The screenplay and writing credits include Abhishek Pathak, Aamil Keeyan Khan and Parveez Shaikh. The film is produced by Alok Jain, Ajit Andhare, Kumar Mangat Pathak and Abhishek Pathak.

The Drishyam franchise has established a strong following among audiences with its combination of crime, suspense, family drama and psychological tension. The Hindi films, starring Ajay Devgn as Vijay Salgaonkar, are adaptations of the Malayalam franchise led by Mohanlal. Over the years, the Hindi series has developed a cult following, particularly for its layered storytelling and Vijay’s elaborate attempts to protect his family.

 

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Set against the backdrop of Goa, Drishyam The Conclusion will once again revolve around Vijay Salgaonkar but this time it will be focusing more on the emotional aftermath of the events surrounding a murder. Having spent years attempting to stay ahead of the police and protect his family, Vijay now faces another chapter in a story that has continued to haunt him.

With Ajay Devgn reprising the role, the third chapter is expected to further explore Vijay’s battle between protecting his family and confronting the emotional consequences of his actions. The title Drishyam The Conclusion also signals that the upcoming film could bring the long-running story of the Salgaonkar family to its decisive chapter.

Drishyam The Conclusion is slated to release in cinemas on October 2, 2026.

Also Read: Drishyam The Conclusion director Abhishek Pathak says story continues from where Drishyam 2 ended



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